Scaffolding Voice Acoustics into Your Teaching with VoceVista
Wednesday 29th May 2024, 5:00 PM - 7:00 PM (London Time)
Voice acoustics concepts are valuable to those of us who want to merge technique and artistic intent efficiently and sustainably. Singing voice acoustics can also be conceptually challenging for those new to the subject. Presenting too much information or moving too quickly can leave students feeling overwhelmed.
Join us to explore ways to use the visual feedback VoceVista software (https://www.sygyt.com/en/products/) provides to layer acoustics concepts into your studio voice and lyric diction teaching practices in bite-sized increments that help students feel excited to learn more.
This session assumes you are familiar with VoceVista, and that you may already use it in a voice pedagogy learning space (if not, then we recommend attending the introductory session first). We will jump right in and discuss how the programme can be used in an intentional way to introduce acoustics concepts to students in applied lessons and diction classes.
We will explore strategies for layering ideas in an accessible sequence, moving from aspects of the sung sound that are easiest to visualize - pitch accuracy, onsets, articulation, and vibrato - to more challenging concepts like registration and timbral choices. We will explore ways to weave acoustics in as we teach lyric diction concepts including diphthongs, lengthened vowels and double consonants, and open and close vowels.
I will share classroom exercises and homework assignments, and we can brainstorm together about ways to apply the technology to help your students build up the voice science section of their 'practice toolbox'.
Attend both of the VoceVista short courses with Dana Zenobi and save £10!
Dana Zenobi
Dana Zenobi enjoys a multi-faceted career as a performer, teacher, and voice pedagogy scholar. A champion of art song by women, her 2022 album and annotated score anthology...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)
Acting Emotion: Perspectives from the Masters
Louisa Morgan
Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.
Tuesday 17th March 2026
5:00 PM - 7:00 PM
(London Time)
The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers
Dr. Alyssa Becker
Shaped by the popular music of its time, musical theatre blends storytelling with an ever-evolving range of vocal styles—from classical legit singing to jazz, hip-hop, and powerhouse belting. Despite its importance, much of what we understand about vibrato comes from laboratory-based studies that strip singing of its musical, stylistic, and performance context. Join Dr Alyssa Becker as she connects current research with real-world pedagogy, revealing how elite musical theatre performers strategically use vibrato to shape style and storytelling, and showing how these insights can be applied in the voice studio to train stylistic flexibility and control!