Scaffolding Voice Acoustics into Your Teaching with VoceVista
Wednesday 29th May 2024, 5:00 PM - 7:00 PM (London Time)
Voice acoustics concepts are valuable to those of us who want to merge technique and artistic intent efficiently and sustainably. Singing voice acoustics can also be conceptually challenging for those new to the subject. Presenting too much information or moving too quickly can leave students feeling overwhelmed.
Join us to explore ways to use the visual feedback VoceVista software (https://www.sygyt.com/en/products/) provides to layer acoustics concepts into your studio voice and lyric diction teaching practices in bite-sized increments that help students feel excited to learn more.
This session assumes you are familiar with VoceVista, and that you may already use it in a voice pedagogy learning space (if not, then we recommend attending the introductory session first). We will jump right in and discuss how the programme can be used in an intentional way to introduce acoustics concepts to students in applied lessons and diction classes.
We will explore strategies for layering ideas in an accessible sequence, moving from aspects of the sung sound that are easiest to visualize - pitch accuracy, onsets, articulation, and vibrato - to more challenging concepts like registration and timbral choices. We will explore ways to weave acoustics in as we teach lyric diction concepts including diphthongs, lengthened vowels and double consonants, and open and close vowels.
I will share classroom exercises and homework assignments, and we can brainstorm together about ways to apply the technology to help your students build up the voice science section of their 'practice toolbox'.
Attend both of the VoceVista short courses with Dana Zenobi and save £10!
Dana Zenobi
Dana Zenobi enjoys a multi-faceted career as a performer, teacher, and voice pedagogy scholar. A champion of art song by women, her 2022 album and annotated score anthology...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 17th February 2026
10:00 AM - 12:00 PM
(London Time)
Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review
Debbie Winter
Dr Claire Thomas
This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.
Thursday 19th February 2026
8:30 AM - 10:30 AM
(London Time)
It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety
Rebecca Herman
Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...
Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)
Performing Pain: Vocal Health in Emotional Roles!
Louisa Morgan
How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.