Securing Belt, Mix, and Legit for Musical Theatre
Thursday 10th July 2025, 5:00 PM - 7:00 PM (London Time)
Today, musical theatre singers are required to perform in a variety of vocal styles, ranging from legit to rock and pop. This demands a deep understanding of the systematic adjustments necessary to master these styles while maintaining a balanced and sustainable vocal technique.
This course explores the various systematic negotiations and approaches necessary for legit, mixed, and belt voice qualities for authentic performance. Participants will learn how to develop vocal exercises for voice habilitation, as well as targeted aesthetic exercises. We will discuss cues for registration awareness and development, necessary vowel modifications, the impact of emotional stimuli, effective breathing strategies, and simple speech organization of the voice that allow your students to navigate the many styles of musical theatre singing!
Kevin Wilson
Kevin Wilson joined the Wanda Bass School of Music in the Fall of 2024. A native of Oklahoma, he comes to Oklahoma City University after spending 16 years as a Professor of Voice and Director of Vocal Pedagogy at the Boston Conservatory. While at the conservatory, he established the Master of Music degree in Vocal Pedagogy, the Master of Fine Arts degree in Musical Theatre Vocal Pedagogy, and the annual Vocal Pedagogy Professional Workshop. At OCU, he teaches Advanced Vocal Pedagogy and is the Director of the annual Vocal Pedagogy and Vocology Intensive. In 2024, he received the Excellence in Teaching Award from OCU.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 29th October 2025
5:00 PM - 7:00 PM
(London Time)
A neurodiversity-affirmative approach to the voice!
Hilary Davies
In recent years, the music therapy profession has begun to consider the application of the neurodiversity paradigm to music therapy practice, in particular In relation to autism, and an increasing amount of literature embracing this perspective has been published. This lecture, delivered from a lived experience perspective, will provide an explanation of the key concepts around neurodiversity - particular consideration will be given to the use of the voice, both one's own but also to the neurodivergent individual’s particular ways of using language, song and vocal sounds.
Thursday 30th October 2025
5:00 PM - 7:00 PM
(London Time)
Creative Articulation
Annie Morrison
Most of us have little idea of HOW we speak, or what to do to make speech more muscular. Join Annie Morrison (creator of the 'Morrison Bone Prop') for this two hour session on Creative Articulation, a holistic and haptic approach to the touchings and feelings of the articulators in the dance of speech. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level.
Tuesday 4th November 2025
10:00 AM - 12:00 PM
(London Time)
The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology
Dr Matt Allen
The belt’s got soul! This course offers a deep dive into the vocal artistry and biomechanics of R&B/soul singing, with a particular focus on the belt voice—a powerful and expressive vocal technique central to the genre. Drawing from over 80 years of stylistic evolution, the course explores how R&B/soul singing has shaped contemporary commercial music and investigates the unique vocal traits that define its sound.