Seeing Sound: An Acoustic Approach to Voice for Actors!
Tuesday 18th November 2025, 5:00 PM - 7:00 PM (London Time)
In this short course, Professors Kathryn Cunningham and Srihimaja Nandamudi (CCC-SLP) will introduce accessible ways to integrate acoustic voice analysis into actor voice training. Expanding on their article for Voice and Speech Review, Cunningham and Nandamudi will demonstrate interactive strategies that crossover from the clinical realm to the acting studio.
Both presenters are Recognized Vocologists through the Pan-American Vocology Association and share a deep commitment to interprofessional collaboration between their respective fields of actor voice training and speech-language pathology.
Participants will learn to use free Praat software to extract key voice markers and see how these measurements can bring complex voice concepts to life in a practical, visual way. After participating in this course, participants will be able to use Praat to conduct a simple acoustic voice screening and learn techniques to translate core principles of vocal fold function in healthy and disordered voices into visual feedback. This course will appeal to acting voice trainers and actors interested in expanding their understanding of vocal technique through evidence-based tools and interprofessional insights.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Professor Kathryn Cunningham
Kathryn Cunningham is an Assistant Professor of Theatre at the University of Tennessee, Knoxville. She is a certified teacher of Knight-Thompson Speechwork and a PAVA Recognized Vocologist (PAVA-RV). As an actor, she has appeared on a host of stages in New York and across the country as well as in film and television.
Dr Sri Nandamudi
Dr. Sri Nandamudi is an Associate Professor in Speech-Language Pathology in the College of Health Professions, Grand Valley State University. Her areas of clinical and pedagogical research interests include interprofessional collaborative care and clinical simulation in voice and dysphagia intervention.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)
Sex differences in VOICE!
Dr Richard Lissemore
This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)
Acting Emotion: Perspectives from the Masters
Louisa Morgan
Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.