Shifting Gears from Classical to Broadway: Making the Vocal Switch!
Wednesday 11th February 2026, 5:00 PM - 7:00 PM (London Time)
As stylistic demands in the vocal world continue to evolve, classical singers are increasingly expected to perform in genres such as Musical Theatre and Commercial Music (CM). Yet, for many classically trained singers, the transition from operatic technique to speech-based, microphone-amplified styles can present significant technical and artistic challenges.
This session—led by an internationally known pedagogue specializing in Musical Theatre and CM who herself performed professionaly in both opera and musical theatre —bridges these two vocal worlds to provide singers and teachers with practical, research-informed strategies for healthy, authentic crossover. The presenter offers a multifaceted exploration of how the classical voice can be thoughtfully adapted to meet the stylistic and expressive demands of modern genres without sacrificing technical integrity.
Rather than viewing crossover as a departure from classical technique, this session reframes it as an expansion—an opportunity for singers to build stylistic fluency while maintaining healthy, efficient vocal production. Designed for both performers and pedagogues, the session provides actionable exercises, diagnostic tools, and teaching strategies for integrating crossover training into both private studios and academic settings.
The class will explore how resonance is shaped by the vocal tract and how conscious adjustments in the jaw, tongue, soft palate, and articulators can create the tonal colors and acoustic qualities demanded by different genres.
Additionally, participants will be introduced to vocal Stylisms and riffing patterns that enhance stylistic freedom, agility, and creativity. These elements encourage the development of expressive versatility—essential for adapting the classical instrument to contemporary musical styles.
Attendees will leave with greater confidence in guiding classically trained singers toward versatile, expressive, and genre-appropriate performance—equipped with the knowledge and resources to navigate today’s diverse and evolving vocal marketplace.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Edrie Means Weekly
Edrie Means Weekly, Co-Founder of the CCM Vocal Pedagogy Institute, is an associate professor of voice and voice pedagogy at Shenandoah Conservatory and professor of voice at George Mason University. A 2021 Van Lawrence Fellowship Awardee, and a recognized expert in training singers in all vocal styles. An active professional singer, Edrie has presented numerous papers, countless workshops and master classes at national and international conferences.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)
Sex differences in VOICE!
Dr Richard Lissemore
This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)
Acting Emotion: Perspectives from the Masters
Louisa Morgan
Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.