Short Courses & Events / Archive

Sing to Beat Parkinson's Fundraising Workshop

Thursday 20th May 2021, 5:00 PM - 7:00 PM (London Time)

On Thursday 20th May, 5pm-7pm (UK Time), Voice Study Centre are holding a Fundraising Workshop for Sing to Beat Parkinson’s. All proceeds raised from this workshop will go towards founding a new Sing to Beat group in Northern Ireland led by Elizabeth Drwal, a researcher and practitioner in this area. The funds will establish a group for Parkinson’s sufferers, and it will pay for set up costs, practitioner delivery costs and premises/online work.

This workshop will be led by Nicola Wydenbach, the Director of Training at Sing to Beat Parkinson’s. It will give you an overview of Singing to Beat Parkinson’s and will introduce you to practical exercises used by practitioners. If you are interested in learning more about this important area within Singing for Health, or in developing your knowledge base around singing for Parkinson’s then this workshop is designed for you. This workshop links directly to training on the Sing to Beat programme, so this would provide a solid foundation for further study with the Sing to Beat group.

The donation fee to attend this workshop will be £20, and you will be able to donate using the link below. 

As part of our Corporate Social Responsibility programme, Voice Study Centre commits to the following pledges:

  • Voice Study Centre will pay Nicola Wydenbach’s presenter fee.
  • All proceeds will be donated to the Sing to Beat support charity.
  • All proceeds will be used to establish a Sing to Beat group.
  • Where there is a shortfall for establishing the group, Voice Study Centre will pay the shortfall.

Nicola Wydenbach

Nicola Wydenbach has worked on projects for English National Opera, Opera North, BBC, Garsington, Sing Up and Youth Music. From 2013-14, Nicola was Vocal Director...

Sing To Beat

Sing to Beat, is a network of singing groups launched in January 2018 by Canterbury Cantata Trust, for people with health conditions including Parkinson’s and Covid...

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)

Learn to Coach RP and SSBE – a Certificate in Accent Coaching

Louisa Morgan

This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.

Acting Emotion: Perspectives from the Masters
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)

Acting Emotion: Perspectives from the Masters

Louisa Morgan

Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.

The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers
Tuesday 17th March 2026
5:00 PM - 7:00 PM
(London Time)

The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers

Dr. Alyssa Becker

Shaped by the popular music of its time, musical theatre blends storytelling with an ever-evolving range of vocal styles—from classical legit singing to jazz, hip-hop, and powerhouse belting. Despite its importance, much of what we understand about vibrato comes from laboratory-based studies that strip singing of its musical, stylistic, and performance context. Join Dr Alyssa Becker as she connects current research with real-world pedagogy, revealing how elite musical theatre performers strategically use vibrato to shape style and storytelling, and showing how these insights can be applied in the voice studio to train stylistic flexibility and control!