Short Courses & Events / Archive

Singing and the Brain: A Harmonious Connection

Thursday 24th April 2025, 2:00 PM - 4:00 PM (London Time)

Friday 25th April 2025, 2:00 PM - 4:00 PM (London Time)

Unlock the transformative power of music with our two-part lecture series that delves deep into the fascinating intersection of neuroscience, music education, and music therapy. This comprehensive exploration will expand your horizons in the following key areas:

  1. Neuroscience and Music: Gain insights into the fundamental mechanisms underlying the profound connection between music and the brain. Uncover the intricate ways in which music impacts cognitive and emotional well-being, leading to remarkable changes in brain structure and function.

  2. Neuroscience of Music Education & Music Therapy: Discover how music education and therapy serve as catalysts for neuroplasticity, enhancing cognitive abilities and promoting lifelong brain health. Learn about the myriad benefits of these practices, from fostering healthy aging to their overall positive impact on well-being.

  3. The Science of Singing Throughout the Lifespan: Uncover the science behind the human voice and its evolution from infancy to later years. This segment provides a solid foundation of research on the art and science of singing, offering valuable insights for educators, practitioners, and researchers.

This course aims to achieve three distinct objectives: to demonstrate the multifaceted benefits of music training and therapy, to equip you with a neuroscience-informed perspective for teaching, practice, and research, and to provide a comprehensive understanding of the science of singing across all stages of life. Join Dr Patricia Izbicki on this captivating journey and unlock the secrets of music's impact on the brain and human development.

🏷️ Price £50 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Dr Patricia Izbicki

Dr Patricia Izbicki is a neuroscientist and medical science liaison at Octave, as well as a classical pianist and harpsichordist. Her research focuses on understanding the brain mechanisms of complementary therapies, such as music training, in aging adults and persons with Parkinson's disease.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Pop Pedagogy
Monday 20th October 2025
5:00 PM - 7:00 PM
(London Time)

Pop Pedagogy

Kim Chandler

Some successful pop stars are celebrating career lengths of over sixty years, having been around since the 1950s when pop music emerged and diversified from jazz, so pop singing has been in existence sufficiently long now that, for teaching purposes, we can observe and analyse what type of approach serves it best.

Develop Convincing and Respectful East and Southeast Asian English accents!
Tuesday 21st October 2025
2:00 PM - 4:00 PM
(London Time)

Develop Convincing and Respectful East and Southeast Asian English accents!

Jenru Wang

Join Jenru Wang for a practical accent workshop designed to develop convincing and respectful East and Southeast Asian English accents—specifically a Mandarin-influenced English and a Tagalog-influenced Philippine English. This session is intended for actors, dialect coaches, speech-language practitioners, and anybody else who wants to embark on the journey of ESEA Accents learning!

Establishing a Jazz Voice Curriculum
Tuesday 21st October 2025
5:00 PM - 7:00 PM
(London Time)

Establishing a Jazz Voice Curriculum

Dr Tish Oney

As the jazz voice major represents a relatively new program of comprehensive singing study in higher education, it most often absorbs the course requirements of other related majors with which it is grouped. Join Dr Tish Oney for a short course that will reach across a multitude of program requirements in three academic contexts: grouping jazz singers with jazz instrumental majors; grouping jazz singers with voice majors; and grouping jazz singers with commercial music majors. Tish tackles this topic with the authority of one who has pioneered the way for student jazz singers while teaching in jazz departments, classical voice departments, and commercial music departments!