Stammering: vocal hindrance or vocal liberator?

What connects Bachman-Turner Overdrive, Ben’s Brother and The Who? The answer is they’ve all produced songs containing stammered lyrics. Integrating stammering, a communication difference often viewed as something to be fixed through therapy, within musical art may, superficially at least, appear to be an unusual decision but what if we could see beauty in stammering and represent it in art, poetry, song, flags and even font? Come to this workshop to find out how this has been done.  

The recent brain research highlighting stammering as a form of neurodivergence is shifting therapy approaches with increasing emphasis on the value of stammered voices. They encourage us to reflect on what matters in conversation and how stammering can add dimension and freedom to vocal performances.

This session will present what stammering is (and isn’t), link the approach-avoidance conflict with performance anxiety and consider what it means to be fluent. The potential physical and emotional struggle contained within the stammering experience is acknowledged alongside opportunities to view stammering through alternative, more supportive lenses, with opportunity to consider what you might do in your practice as a stammering ally.

By the end of this workshop, you’ll understand why King George VI practised speeches with a gramophone playing in the background, where metronomes have been used in therapy and know why speaking with marbles in your mouth is never a good idea!