The Acting Through Song Toolkit: a 3-part course
Wednesday 22nd January 2025, 11:00 AM - 12:30 PM (London Time)
Do you work with students who struggle to connect their acting skills with their singing skills? Are your students currently auditioning for professional work, drama schools or entering competitions? Perhaps you are a singing teacher needing to work on performance, but you don’t have a background in acting.
This course is designed for teachers working with singers or singing actors who need to draw the story from their performance. On this three-part course, you’ll gain a practical understanding of how to apply techniques from acting pedagogy, emotion research, and text-based practice that will build your students’ sense of character and storytelling. On this collaborative course, we will explore different perspectives, discuss the theory and add plenty of exercises and top tips to your teaching toolkit.
Session one:
Wednesday January 8th 11am-12:30pm
Building a character: what do we have in the current methodologies for singing actors? We know there are plenty of techniques for building character and story in spoken voice practice, but what do we need to adjust and add for singers?
Session two:
Wednesday 15th January 11am-12:30pm
Voice and emotion: how do we hear emotion as listeners? How do we convey emotion as speakers and singers? I bring my research on vocal qualities of emotion to you in practical terms for singing teachers. We discuss emotional layering and how we might be able to balance emotion and vocal technique.
Session three:
Wednesday 22nd January 11am-12:30pm
A text-based approach to ATS: How can we use operative words, meaningful punctuation, and harvest the poetry from the lyric? We discuss exercises and techniques for working with singers who need to spend more time with the text.
🏷️ Price £100 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Louisa Morgan
Louisa Morgan is a lecturer, voice teacher and researcher, with a special focus on spoken and sung emotion. Louisa lectures with Voice Study Centre (spoken voice lead). Previously, Louisa taught technical singing for the MA/MFA Musical Theatre students at the Guilford School of Acting (GSA) and Italia Conti, and she was also a spoken and singing voice coach for the Acting students at the Cygnet Training Theatre.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 6th July 2026
5:00 PM - 7:00 PM
Friday 10th July 2026
5:00 PM - 7:00 PM
Monday 13th July 2026
5:00 PM - 7:00 PM
Friday 17th July 2026
5:00 PM - 7:00 PM
Monday 20th July 2026
7:00 PM - 7:00 PM
Friday 24th July 2026
5:00 PM - 7:00 PM
(London Time)
Certificate in Foundations of Vocology with Adam Roberts
Adam Roberts
This 30-hour Vocology Cohort Intensive provides a comprehensive overview of basic vocal anatomy, physiology, and theories of voice production & perception, fundamentals of vocal health, pathology, evaluation, performance, and habilitation of the speaking and singing voice, and a survey of research, resources, and professional opportunities. Each week, advanced students contribute to cohort-centred learning with additional resources, discussion facilitation, and critical analysis. The course assessment will also be useful for those who wish to prepare for the PAVA recognised designation.
Friday 24th July 2026
10:30 AM - 11:30 AM
(London Time)
In Conversation With… Dr Tracy Bourne
Dr Tracy Bourne
Join us for the next conversation in our public interview series exploring vocal health and sustainability in musical theatre performance, this time with music theatre voice specialist, Dr Tracy Bourne! Free and open to all!
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!