The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology
Tuesday 4th November 2025, 10:00 AM - 12:00 PM (London Time)
This course offers a deep dive into the vocal artistry and biomechanics of R&B/soul singing, with a particular focus on the belt voice—a powerful and expressive vocal technique central to the genre. Drawing from over 80 years of stylistic evolution, the course explores how R&B/soul singing has shaped contemporary commercial music and investigates the unique vocal traits that define its sound.
Through a blend of artistic analysis and scientific inquiry, this course examines the belt voice as a core characteristic of R&B/soul performance. The course presents findings from a global survey of industry experts and pedagogues who evaluated performances by five pioneering R&B/soul vocalists. These insights reveal that belting is not only a defining feature but also the most technically demanding aspect of the style.
Building on this foundation, perspectives from leading vocal coaches and performers are introduced, highlighting the distinct timbral qualities of R&B/soul belting compared to traditional musical theatre techniques. The final section delves into groundbreaking physiological research, including CT scans of vocalists during belted and comfortable pitches. These scans uncover critical data on vocal fold lengthening, laryngeal positioning, and pharyngeal wall mobility—offering a new understanding of the biomechanical demands of R&B/soul belting.
By integrating expert interviews, acoustic analysis, and advanced imaging, this course provides a comprehensive framework for understanding and teaching R&B/soul singing. It is ideal for vocalists, educators, and researchers seeking to master the belt voice while maintaining vocal health and stylistic authenticity.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Matt Allen
Dr Matt Allen is a professional singer active on the Australian music scene, having worked with renowned artists such as Guy Sebastian, Tina Arena, Drapht, and Christine Anu. He has toured nationally and internationally, performing at events like Canadian Music Week, the Americana Festival, and in the UK, New York, and Singapore.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 3rd March 2026
5:00 PM - 7:00 PM
(London Time)
Sex differences in VOICE!
Dr Richard Lissemore
This two-hour workshop, led by performer, articulatory phoneticist, and voice physiologist, Dr. Richard Lissemore, will examine in detail the role that biological sex plays in the perception and pedagogy of singing voices. We'll consider how parameters such as anatomy, physiology, articulation, resonance, and radiated acoustics influence the perceptions and pedagogical decision-making of singing teachers.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)
Acting Emotion: Perspectives from the Masters
Louisa Morgan
Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.