The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology
Tuesday 4th November 2025, 10:00 AM - 12:00 PM (London Time)
This course offers a deep dive into the vocal artistry and biomechanics of R&B/soul singing, with a particular focus on the belt voice—a powerful and expressive vocal technique central to the genre. Drawing from over 80 years of stylistic evolution, the course explores how R&B/soul singing has shaped contemporary commercial music and investigates the unique vocal traits that define its sound.
Through a blend of artistic analysis and scientific inquiry, this course examines the belt voice as a core characteristic of R&B/soul performance. The course presents findings from a global survey of industry experts and pedagogues who evaluated performances by five pioneering R&B/soul vocalists. These insights reveal that belting is not only a defining feature but also the most technically demanding aspect of the style.
Building on this foundation, perspectives from leading vocal coaches and performers are introduced, highlighting the distinct timbral qualities of R&B/soul belting compared to traditional musical theatre techniques. The final section delves into groundbreaking physiological research, including CT scans of vocalists during belted and comfortable pitches. These scans uncover critical data on vocal fold lengthening, laryngeal positioning, and pharyngeal wall mobility—offering a new understanding of the biomechanical demands of R&B/soul belting.
By integrating expert interviews, acoustic analysis, and advanced imaging, this course provides a comprehensive framework for understanding and teaching R&B/soul singing. It is ideal for vocalists, educators, and researchers seeking to master the belt voice while maintaining vocal health and stylistic authenticity.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Dr Matt Allen
Dr Matt Allen is a professional singer active on the Australian music scene, having worked with renowned artists such as Guy Sebastian, Tina Arena, Drapht, and Christine Anu. He has toured nationally and internationally, performing at events like Canadian Music Week, the Americana Festival, and in the UK, New York, and Singapore.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 2nd December 2025
2:00 PM - 4:00 PM
(London Time)
Vocal Health, Well-being and Hindustani Classical Music
Dr Sunny Sandhu
Join Dr Sunny Sandhu for a 2-hour course that introduces participants to the ancient practice of kharaj exercises in the Dhrupad tradition, focusing on the deep and resonant lower octave of the voice. Through guided breathing, slow tonal exploration, and sustained notes, students will learn techniques that strengthen the vocal cords, expand range, and develop clarity and stability in sound production!
Thursday 4th December 2025
5:00 PM - 7:00 PM
(London Time)
(R)evolutionary Voice Training: harnessing human instinct to accelerate vocal transformation!
Maddie Tarbox
Human beings and our vertebrate ancestors have been communicating via vocalization for millions of years – those sounds did not start as complex language, but as animal mimicry, acoustic cuing, and emotional primal sounds. Join Maddie Tarbox for this two hour session as she unpicks the repertoire of instinctive shortcuts that can lower cognitive load and accelerate vocal change!
Tuesday 9th December 2025
5:00 PM - 7:00 PM
(London Time)
Low Male Voices (LMVs): Development, Technique, and Repertoire
Dr Dann Mitton
Join Dr Dann Mitton for this two hour workshop where he explores the Development, Techniques, and Repertoire favoured for Low Male Voices (LMVs). Typically labelled as 'Bass' and 'Baritone', these classifications are used in classical music, choral settings, and vocal pedagogy to help determine suitable repertoire and vocal roles. In contemporary music, the distinctions are less rigid but still useful for understanding vocal range and timbre.