The Empathetic Voice Teacher
Tuesday 23rd January 2024, 11:00 AM - 12:00 PM (London Time)
Studies show that empathic voice teachers generate more successful singers. This is unsurprising as empathy is considered to be one of the most important emotional characteristics among teachers as it enables successful communication and connection with students. For voice teachers specifically, empathy is further considered essential for training students both physically and psychologically.
But how exactly do we demonstrate empathy in voice teaching?
Join Dr Heather Fletcher (The University of Melbourne) and Dr Amanda E. Krause (James Cook University) as they delve into the impact empathy has on voice teaching practices. In this session, you will learn how fostering empathy in one-to-one lessons can facilitate the voice teacher’s ability to:
- listen and communicate effectively;
- generate positive, moral, caring, and trustworthy relationships;
- support a student’s ability to cope in the performing arts industry; and
- assist in diagnosing vocal issues in students.
They will further draw on their research on expert voice teachers to discuss how successful empathic teaching facilitates student success. You will learn how to integrate these aspects into your own pedagogy and consider how such skills might benefit your teaching, your studio, and your students.
Dr Heather Fletcher
Dr Heather Fletcher is a lecturer and voice teacher at The University of Melbourne. Her PhD in music psychology focused on the practices of expert voice teachers in Australia and her research has been disseminated in both academic journals and conferences worldwide.
Dr Amanda E. Krause
Dr Amanda E. Krause is a Lecturer (Psychology) in the College of Healthcare Sciences at James Cook University (Queensland, Australia). She also currently serves as President of the Australian Music & Psychology Society.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)
Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Louisa Morgan
This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)
Acting Emotion: Perspectives from the Masters
Louisa Morgan
Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.
Tuesday 10th March 2026
3:00 PM - 5:00 PM
(London Time)
Living truthfully in the present moment: An introduction to the Meisner Technique!
Abigail Sugden
Sanford Meisner believed that acting is living truthfully under imaginary circumstances. Rooted in behavioural aspects of acting practice, the Meisner Technique is often associated with encouraging actors to live truthfully in the present moment. Aimed at those working within the field of acting, this 2-hour session with Abigail Sugden will focus on the work of Sanford Meisner, introducing the core principles of his technique and discussing the possible benefits to performers.