The Empathetic Voice Teacher
Tuesday 23rd January 2024, 11:00 AM - 12:00 PM (London Time)
Studies show that empathic voice teachers generate more successful singers. This is unsurprising as empathy is considered to be one of the most important emotional characteristics among teachers as it enables successful communication and connection with students. For voice teachers specifically, empathy is further considered essential for training students both physically and psychologically.
But how exactly do we demonstrate empathy in voice teaching?
Join Dr Heather Fletcher (The University of Melbourne) and Dr Amanda E. Krause (James Cook University) as they delve into the impact empathy has on voice teaching practices. In this session, you will learn how fostering empathy in one-to-one lessons can facilitate the voice teacher’s ability to:
- listen and communicate effectively;
- generate positive, moral, caring, and trustworthy relationships;
- support a student’s ability to cope in the performing arts industry; and
- assist in diagnosing vocal issues in students.
They will further draw on their research on expert voice teachers to discuss how successful empathic teaching facilitates student success. You will learn how to integrate these aspects into your own pedagogy and consider how such skills might benefit your teaching, your studio, and your students.
Dr Heather Fletcher
Dr Heather Fletcher is a lecturer and voice teacher at The University of Melbourne. Her PhD in music psychology focused on the practices of expert voice teachers in Australia and her research has been disseminated in both academic journals and conferences worldwide.
Dr Amanda E. Krause
Dr Amanda E. Krause is a Lecturer (Psychology) in the College of Healthcare Sciences at James Cook University (Queensland, Australia). She also currently serves as President of the Australian Music & Psychology Society.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)
Music Theory Fundamentals for Voice Pedagogues
Dr David Cane
Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Thursday 21st May 2026
5:00 PM - 7:00 PM
(London Time)
Letting the Text Live: Reading Aloud with Expression!
Louisa Morgan
This 2-hour interactive session is designed to help you make more deliberate, expressive choices in your speaking of the written word. It will involve plenty of practical exploration and will cover tips and techniques for working with the voice to lift the text off the page. Work with me to refine nuance, precision, and expressive range. We’ll explore a variety of text samples to cover a wide range of real-world situations, so you can get a feel for the different styles and approaches. If you want your spoken text to sound purposeful, engaging, and unmistakably yours, this session will invite you to play with some tools to do just that.
Tuesday 26th May 2026
5:00 PM - 7:00 PM
(London Time)
Exploring Group-Voice for all Ages and Stages!
Cynthia Vaughn
Teaching group-voice classes is an exciting and fun way to teach singing. It affords the singer and teacher opportunities to experience many different aspects of singing in ways that are not possible when working one-one. Join Cynthia Vaughn as she explores the many benefits gained from working in a group, such as opportunities for each student to participate and hear others, chances to experiment with different techniques, styles, and sounds, guided learning from peers, increased awareness of vocal efficiency and effectiveness, and more confidence (and less self-consciousness) in sharing and performing.