The Ever-Evolving and Developing Singer’s Voice Across the Lifespan
Tuesday 14th January 2025, 2:00 PM - 4:00 PM (London Time)
At every age vocal function is dependent upon how the body is progressively and constantly changing. Growth and development directly impact the singing voice. A deeper understanding of chronological development over the span of a lifetime offers an informed perspective for optimal, strategic, and realistic expectations for vocal production at each and every age.
The twenty-first century has been an exciting time as voice science and its application in the voice studio is more accessible than ever. Acoustics, anatomy, the mind, different styles and genres have broadened our perspective. New developments signal that more and more teachers will teach students ranging from children to senior adults. NATS recently added Children & Youth categories to their National Student Auditions along with an active “Affinity Group” that meets to talk about teaching these young students. We are also seeing a surge of singers who want to remain musically active into their senior years and come back to the voice studio to rejuvenate their singing. Academic pedagogy courses typically apply well for normal young adult and mature adult voices.
Knowing changing factors throughout our singers’ life spans can help us toward optimal strategies, exercises, approaches, repertoire, and vocal expectations factor in growth and development. As teachers we address breathing, onsets, intonation, sound, vowels, flexibility, range, sensations, musicianship, language, and more. An informed age perspective makes teaching even more fascinating when we factor in the laryngeal, respiratory, and resonance changes that benefit from incremental remapping of one’s singing throughout life. Furthermore, we can know a lot more about the timing of these changes and take that into account as we strategize instruction and realistic expectations for each singer. For the teacher all of this contributes to, and transforms, how effective our teaching is.
Equipped with this information we learn that “normal” varies according to age from our youngest to our oldest singers. This course will span the entirety of singing lives from birth through old age. What a joy it is to have known some of my students from the time they were infants who came to their mother’s lessons, hearing them sing as children, then being their teacher during high school and college. How good it is to assure a college-age adult male that they are not only improving, but they are also growing and those notes in the passaggio that are frustrating have a future. Then sure enough, in a few months they experience a clearer path to the top.
Singers during the years of hormonal stability benefit from factoring in aging. As they approach their 50’s and 60’s they feel those changes. Teachers can help professional and amateur singers understand, accept, and maintain their voices as they age.
Karen Brunssen
Mezzo-soprano, Karen Brunssen is Professor and Co-chair of the Department of Music Performance at Bienen School of Music, Northwestern University.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
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We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.