The Magic* of Vocal Function Exercises!
Tuesday 6th June 2023, 3:00 PM - 5:00 PM (London Time)
Vocal Function Exercises, or VFEs, developed by Joseph Stemple, are a set of 4 systematic exercises designed to improve strength, balance, adduction, and coordination - and anecdotally, also improve control, flexibility, and range. They are each intended to be executed with specific vocal qualities, vowel shapes, and volumes on set pitches, and are most effective when performed 2x each, 2x a day for 6 weeks with a taper schedule that is similarly exacting.
You may find yourself asking “But aren’t vocal exercises of any kind ultimately designed to improve function? Why these particular exercises when we already have so many functional exercises for the voice designed to improve strength, coordination, flexibility, and range? Why be so seemingly prescriptive? Aren’t all our exercises, by design, Vocal Function Exercises?”
Ah, but if only it were so! VFEs are different. Rarely do we see a set of exercises so prescriptively detailed, so extensively researched, and yet seemingly so impossible to do despite the near mythical status they’ve come to enjoy. And I’m beyond excited to show you this magic*!
This workshop will demystify the four VFEs, explain how they address rebalancing each of the voice subsystems, and help you determine what’s most important about both modeling and explaining them to help your client succeed.
We’ll get super practical as we learn and practice all four exercises together, and you’ll have the chance to ask questions and get feedback on your production. We’ll try different prompts and cues to elicit each target sound, and I’ll even share a tracking sheet to help your client keep track and stay accountable. We’ll also discuss how to know when a vocalist is on the right track or off the rails, and what - if anything - we can do about it.
And lastly, whether you’re calling it pivoting, individualizing, adapting, or winging it, we’ll look at how and where we can intentionally tailor these magical* exercises to each vocalist for maximum results. You’ll leave loving the fact that you gave VFEs an honest try.
Melanie Tapson
Melanie Tapson is a professional singer, Singing Voice Specialist, and speech-language pathologist whose practice specializes in voice assessment and therapy...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
Wednesday 29th April 2026
3:00 PM - 5:00 PM
Thursday 30th April 2026
3:00 PM - 5:00 PM
Friday 1st May 2026
3:00 PM - 5:00 PM
Tuesday 5th May 2026
3:00 PM - 5:00 PM
(London Time)
Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss
This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)
Music Theory Fundamentals for Voice Pedagogues
Dr David Cane
Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Thursday 7th May 2026
3:00 PM - 5:00 PM
(London Time)
Embodied voice research: negotiating the ‘inner’ and outer’
Marth Munro
The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.