Short Courses & Events / Archive

The Nature Of Empathy And Its Relevance For Voice Work

Thursday 10th June 2021, 5:00 PM - 7:00 PM (London Time)

How do we sense, understand, and respond to other people’s feelings? What neurobiological, situational, and sociopolitical influences modify these reactions? In the pandemic era, how have online interactions and social distance modified our capacities for empathy? Can empathy be trained; can it go too far; and does it always lead to helpful action? This presentation will combine research from animal studies, neurology, and social psychology, plus real-life examples, leading to suggestions for effective teaching and impactful artistry.

DEFINITIONS: WHAT IS EMPATHY?

Terminological problems

Three recognized components: Somatic; Cognitive; Action-oriented

SOMATIC OR EMBODIED EMPATHY

Neurobiological mirroring of others’ feeling-state

  • Influence of sensitivity to own feeling-state
  • Influence of kinship and close social bonds
  • Relevance of boundaries: whose feelings are whose?

COGNITIVE EMPATHY

Thinking about, imagining, or mentally assuming how someone else feels

  • Influence of group affiliation, moral judgment, and cognitive bias
  • Importance of active listening and verbal confirmation

COMPASSIONATE ACTION

The choice to relieve others’ distress, or to withdraw

  • The difference between caring and making a difference
  • How the arts may inspire action—or not

THE TRAINABILITY OF EMPATHY

  • Subjective, experiential training
  • Objective, formal training
  • How compassionate action can feed-back into feelings
  • How screens (virtual world) help or hurt

IMPLICATIONS FOR THE ARTS AND ARTS TEACHERS

  • Empathy enhances learning
  • Empathy touches audiences
  • The importance of self-care
  • The importance of community
  • Life after lockdown: empathy at home, in classrooms, and in the wider world

Joanna Cazden

Joanna Cazden, MFA, MS-CCC is a speech pathologist specializing in vocal arts rehabilitation, now in private practice after 18 years as senior voice clinician...

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review
Tuesday 17th February 2026
10:00 AM - 12:00 PM
(London Time)

Simultaneous Singing and Dancing in Musical Theatre: A Cross-Disciplinary Evidence Review

Debbie Winter
Dr Claire Thomas

This short course invites participants to critically examine the latest cross-disciplinary evidence on the physical and vocal demands of musical theatre performance. Drawing on a comprehensive literature review conducted by Debbie Winter and Claire Thomas (Voice Study Centre, University of Essex), the course explores research from voice science, dance medicine, sports science, and performance pedagogy.

It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety
Thursday 19th February 2026
8:30 AM - 10:30 AM
(London Time)

It’s not a virus! Reconceptualizing and De-pathologizing Music Performance Anxiety

Rebecca Herman

Performance Anxiety is one of the most widespread and debilitating challenges facing musicians across all ages, nationalities and musical genres. Despite decades of research and the development of numerous interventions, we do not yet have an established way of supporting performers experiencing performance anxiety. Aimed at performers, teachers, researchers and students, this presentation will first summarise the current state of play in performance anxiety research, before exploring alternative ways to think about performance anxiety, drawing on new research outside of performance psychology...

Performing Pain: Vocal Health in Emotional Roles!
Thursday 19th February 2026
1:00 PM - 2:30 PM
Thursday 26th February 2026
1:00 PM - 2:30 PM
(London Time)

Performing Pain: Vocal Health in Emotional Roles!

Louisa Morgan

How connected are acted emotions to our real-life emotions? Are they expressed differently? Do they feel different in the body? This 2-part course with Louisa Morgan looks at the potential impact of acted emotion on vocal health, why we should consider it as voice practitioners, and how to care for our performers needing to work with it.