The Science of Sound: Optimizing Vocal Acoustics for Contemporary Styles!
Tuesday 4th November 2025, 3:00 PM - 5:00 PM (London Time)
Course Description:
This course explores the scientific principles underpinning vocal production, acoustics, and the care of the singing voice, drawing from both foundational texts and contemporary research. Students will engage deeply with concepts from Titze’s Principles of Voice Production and Bozeman’s Practical Vocal Acoustics, including the nature of sound, pressure waveforms, harmonics, formants, and the spectral envelope. Emphasis is placed on understanding both linear and non-linear source-filter models, highlighting how the glottis produces sound and how the vocal tract selectively reinforces harmonics to enhance vocal power, timbre, and efficiency.
Through analysis of pitch, timbre, spectral slope, and inertive reactance, students will learn how these principles apply to varied vocal styles, from classical operatic singing to theater belting. The course also integrates pedagogic applications, offering strategies for body alignment, breath management, onset, laryngeal posture, vowel tuning, and vocal coordination, emphasizing sustainable and expressive performance.
Practical applications include formant tuning for different voice types, exploration of source-filter interactions, and understanding how acoustic properties of the vocal tract influence vocal fold vibration. By connecting acoustical theory to performance and pedagogy, students will gain the tools to make informed, efficient, and artistically nuanced choices for their own singing and for guiding others in vocal instruction.
Dr Ana Flavia Zuim
Dr. Ana Flavia Zuim is a voice scientist and musical director whose research in vocal dosimetry has earned recognition from CBS and awards including the Van L. Lawrence Fellowship and the NYU Steinhardt Fellowship. With experience directing and performing in over 70 musical theater productions, she has been recognized for her work as a pianist, conductor, and musical director.Her research bridges the art and science of voice, informing both performance practice and clinical applications. This expertise has also made her a sought-after expert witness in forensic voice analysis.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 2nd December 2025
2:00 PM - 4:00 PM
(London Time)
Vocal Health, Well-being and Hindustani Classical Music
Dr Sunny Sandhu
Join Dr Sunny Sandhu for a 2-hour course that introduces participants to the ancient practice of kharaj exercises in the Dhrupad tradition, focusing on the deep and resonant lower octave of the voice. Through guided breathing, slow tonal exploration, and sustained notes, students will learn techniques that strengthen the vocal cords, expand range, and develop clarity and stability in sound production!
Thursday 4th December 2025
5:00 PM - 7:00 PM
(London Time)
(R)evolutionary Voice Training: harnessing human instinct to accelerate vocal transformation!
Maddie Tarbox
Human beings and our vertebrate ancestors have been communicating via vocalization for millions of years – those sounds did not start as complex language, but as animal mimicry, acoustic cuing, and emotional primal sounds. Join Maddie Tarbox for this two hour session as she unpicks the repertoire of instinctive shortcuts that can lower cognitive load and accelerate vocal change!
Tuesday 9th December 2025
5:00 PM - 7:00 PM
(London Time)
Low Male Voices (LMVs): Development, Technique, and Repertoire
Dr Dann Mitton
Join Dr Dann Mitton for this two hour workshop where he explores the Development, Techniques, and Repertoire favoured for Low Male Voices (LMVs). Typically labelled as 'Bass' and 'Baritone', these classifications are used in classical music, choral settings, and vocal pedagogy to help determine suitable repertoire and vocal roles. In contemporary music, the distinctions are less rigid but still useful for understanding vocal range and timbre.