Short Courses & Events / Archive

The Sounds and Ornamentations of Indian Classical Music

Tuesday 13th August 2024, 5:00 PM - 7:00 PM (London Time)

Indian Classical Music (ICM) is an ancient oral tradition that dates back to around 500 BC. Despite its evolution over the centuries, it has managed to maintain its unique style and cultural significance. Until recently, this style of music has been largely overlooked in voice research. Given the global presence of the Indian community, it is essential for both teachers and singers to understand and learn from this style to better serve Indian students while staying true to the authentic form of the music while also gaining insight on how to diversify and cross-train within your own singing practice. Indian Classical Music is split into two major styles: North Indian (Hindustani) and South Indian (Carnatic). The workshop will primarily focus on Carnatic Music.

This workshop first explores the ‘authentic’ sound of ICM. The questions we will explore are:

  • What is the authentic ICM sound? Is there only one?
  • What have singers and teachers experienced as the authentic ICM sound quality?
  • What the ranges and acoustic features of an authentic sound are, and some ways to train these sounds

Next, you will get an introduction to various vocal ornamentations, which is one of ICM’s key stylistic features. To execute these ornamentations, the singer requires a great deal of vocal agility. Accordingly, we will explore:

  • The various types of vocal ornamentations in ICM
  • Trying out these ornamentations in your voice
  • Ways to train these ornamentations

Finally, we will discuss some of the habits that could hamper the ICM style - what some of the vocal function hurdles are that ICM singers face and how to approach these in a culturally sensitive way.

The workshop will include interactive components, such as singing and listening to ICM singers, and there will be plenty of time for questions.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Samyukta Ranganathan

Samyukta is an award-winning singer of Indian Classical Music (ICM) with an active teaching and performance career in New York City.

CPD Course Logo

Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Navigating Vocal Aging for Singers
Thursday 9th October 2025
2:00 PM - 4:00 PM
(London Time)

Navigating Vocal Aging for Singers

Karen Brunssen

As singers approach their senior years, they can benefit greatly from a voice teacher who understands the normal changes involved as they navigate vocal aging. This course will focus on the realities of aging voices for senior singers and what can be done to address vocal production and peripheral issues that can affect the activity of singing.

Introduction to Vocal Acoustics for Spoken and Sung Voice
Friday 10th October 2025
3:00 PM - 5:00 PM
Monday 13th October 2025
3:00 PM - 5:00 PM
(London Time)

Introduction to Vocal Acoustics for Spoken and Sung Voice

Gökçe Kutsal

This course is designed to break down the fundamentals of acoustics for both spoken and sung voice in a beginner-friendly, accessible way — so you can easily understand and apply these concepts to your teaching or research.

Water Resistance Therapy and Semioccluded Devices for Voice Training
Monday 13th October 2025
5:00 PM - 7:00 PM
(London Time)

Water Resistance Therapy and Semioccluded Devices for Voice Training

Dr Marco Guzmán

Several voice devices to perform water resistance therapy (WRT) and some oscillatory positive expiratory pressure devices (OPEP) (e.g. Acapella Choice, Shaker Medic Plus, New Shaker) are now commonly used for both voice training and voice therapy. Are these devices truly good for voice training? Are these devices the treatment by themselves? and how much evidence currently supports the use of these devices?