Unveiling Vocal Identity: Navigating Adolescence Through Song
Thursday 30th May 2024, 5:00 PM - 7:00 PM (London Time)
In this two-hour workshop, we will explore the intricate world of vocal identity during adolescence. Join us in exploring the psychological and sociological impact of the voice change, shedding light on the factors that shape and define this crucial phase in a young person's life.
Adolescent boy singers often experience a unique intersection of psychological and sociological factors that shape their journey in music education. Psychologically, adolescence is a period of self-discovery and identity formation, and these young musicians navigate the challenges of finding their voice both musically and personally. The pressures of performance expectations, and the constant scrutiny of their image can impact their mental well-being. Sociologically, the teenage years are marked by a heightened sensitivity to social validation and peer acceptance. Additionally, societal expectations regarding masculinity and success can influence the artistic choices and expressions of teenage boy singers. The interplay of these psychological and sociological factors contributes to the complex and dynamic landscape that shapes the experiences of young male vocalists in music education.
Throughout the session, we will unravel the layers of vocal identity, investigating the complexity of musical identity, motivation, peer pressure, social stigma, emotional challenges, and engagement. Our discussion will revolve around the influencing factors that contribute to the unique and complex vocal journey teenagers, specifically boys, undergo during this pivotal period.
Designed with vocal coaches in mind, this workshop offers valuable insights for those working with adolescent singers, especially those navigating the challenges of the voice change. Music educators and department leads will also find relevance in understanding the intricate musical (vocal) identity of teenagers, with a particular focus on the psychology of singing.
Furthermore, our session extends its reach to SEN practitioners seeking creative ways to support a diverse group of children. By unravelling the complex relationship teenagers have with music and their own voice, we aim to provide practical insights that can be applied in various educational settings.
Janos Fabian
Janos Fabian is a PhD Music and Psychology researcher, Music Psychologist (MA) and Director of Music (PGCE, QTLS, BA).
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 13th January 2026
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Tuesday 20th January 2026
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Tuesday 3rd February 2026
5:00 PM - 6:30 PM
Tuesday 10th February 2026
5:00 PM - 6:30 PM
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Are you ready to elevate your academic journey? Hosted by our very own Debbie Winter, join our comprehensive Introduction to Academic Skills course, designed to equip you with essential tools and strategies for success in higher education. Perfect for bridging the gap between undergraduate and postgraduate study, this course offers a pathway to our full MA for students without an existing degree. We offer both live, interactive sessions and standalone, pre-recorded content.
Thursday 15th January 2026
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Thursday 22nd January 2026
5:00 PM - 7:00 PM
Thursday 29th January 2026
5:00 PM - 7:00 PM
Thursday 5th February 2026
5:00 PM - 7:00 PM
Thursday 12th February 2026
5:00 PM - 7:00 PM
(London Time)
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Updated for 2026, this five-part certificate course is designed to help participants learn the theory and practice of trauma-sensitive approaches. The concepts and activities included are tailored to meet the needs of voice specialists who want to acquire more specific tools to navigate the space with their students and colleagues.
Thursday 29th January 2026
1:00 PM - 2:30 PM
Thursday 5th February 2026
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(London Time)
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From the Greek actor Polus of Aegina carrying an urn of his own dead son’s ashes onstage in Sophocles’ Electra (Konjin, 1997) to the so-called American Method acting of Hollywood in the 20th Century, how performers work with and express emotion has been a vital part of their craft and how they are perceived by audiences. Join Louisa Morgan for this two-part course, where she considers: How have theories of emotion developed over time? How could understanding theories of emotion help voice practitioners in their coaching of singers and speakers?