Vocal Hacks: Solving Common Problems for Singers
Thursday 19th June 2025, 5:00 PM - 7:00 PM (London Time)
Certain common vocal problems can affect not only singers in training but professional singers as well. These problems often cause lack of confidence and emotional distress.
In this workshop, participants will learn simple vocal hacks to address such common issues as effortful high notes, straining, compensatory tension, belting, register breaks, pitch problems, vibrato speed and control, excessive breathiness, how to sing when sick, and problems related to vocal aging.
Solutions will begin with the topic of activating a precise support method to increase subglottal pressure enabling efficiency in vocal fold vibrational function, thereby reducing or eliminating compensatory tension in neck, jaw, face, and tongue.
One issue which can be very telling about one’s vocal health and technical ability is vibrato. Having a too slow vibrato can indicate an aging voice and certain hacks can be used to increase vibrato speed for a younger-sounding effect. Likewise, in young amateur singers, having a too-fast flutter or warble can sometimes be improved using manual techniques.
Singing teachers who work with the general public in a multitude of styles, ages, and levels, will find these techniques useful adjuncts to their bag of tools so that problems can be resolved quickly. Vocal control, consistency, and confidence are merely the foundation of creating magic with one’s voice.
🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available
Lisa Popeil
Lisa Popeil, MFA in Voice, has studied voice for 60 years and has taught professionally in a variety of styles of singing for over 40 years. Based in Los Angeles, California, Lisa is the creator of the Voiceworks® Method, the Total Singer DVD and the Total Singer Workshop.
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
Wednesday 29th April 2026
3:00 PM - 5:00 PM
Thursday 30th April 2026
3:00 PM - 5:00 PM
Friday 1st May 2026
3:00 PM - 5:00 PM
Tuesday 5th May 2026
3:00 PM - 5:00 PM
(London Time)
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This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)
Music Theory Fundamentals for Voice Pedagogues
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Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.
Thursday 7th May 2026
3:00 PM - 5:00 PM
(London Time)
Embodied voice research: negotiating the ‘inner’ and outer’
Marth Munro
The central thrust of the session will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.