Short Courses & Events / Archive

Warming Up And Cooling Down: A Guide To Their Use And Impact On Function

Thursday 3rd November 2022, 5:00 PM - 7:00 PM (London Time)

  • There are exercises designed to facilitate a particular change in vocal function – the potential for a given exercise to work is contingent on the intention of the exercise, the instruction provided, and the singer’s understanding and implementation.
  • A teacher should select vocal exercises supported by either quantifiable research or validated by anecdotal practice-based evidence – this is true whether discussing vocal warm-ups or cool-downs.
  • The benefits of cool-down exercises following strenuous exercises have been well established – while voice pedagogy typically emphasizes the use of vocal warm up exercises, the efficacy of cool-down exercises has not been demonstrated.
  • Traditionally, exercise science includes a great deal of research on cooling down exercises after working out the body – cool-down exercises for singers have not yet been thoroughly examined even though vocalizes (warm-ups) for the voice have long been accepted as beneficial.  As a result, there remains varying opinions in the voice community as to the efficacy of cooling down after a period of strenuous singing.

This workshop will present information on strategizing a vocal warm-up and cool-down routine, how and why to choose particular exercises, the difference between a vocal warm-up and vocal exercises focused on function.

The workshop will also include research, supported in part by the 2012 Van L. Lawrence Fellowship, that examined the efficacy of cool-down exercises for the voice at the end of a heavy voice load

Dr Kari Ragan

Singer, author, and voice pedagogue Kari Ragan holds degrees from the University of Washington (DMA) and Indiana University (MM, BM). She was the recipient of the prestigious Van L. Lawrence Award (2012), the NATS Foundation Pedagogy Award (2009), and the Wicklund Singing Voice Specialist Certificate (2010), and she was selected as a Master Teacher for the NATS Intern Program in 2021.

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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Join Kevin Wilson for this six-part certificated course, offering an in‑depth, practical exploration of contemporary voice teaching for musical theatre. Across six focused classes, participants develop a systematic approach to vocal technique, diagnosis, and repertoire selection that reflects the stylistic, physical, and emotional demands of the genre. The curriculum integrates vocal science, embodied voice work, registration theory, and stylistic awareness across the five major sub‑genres of musical theatre.

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Considering our MA Voice Pedagogy? Join our Director for a focused online presentation and discussion to explore the course, ask questions, and discover whether postgraduate study at Voice Study Centre is right for you.

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Vocal production, or the process of recording a voice, is a multifaceted practice requiring a diverse set of skills. It has traditionally been considered the role of the producer in a recording studio, and vocalists can often feel intimidated by learning complex technical skills or prohibited by the cost of recording equipment. This course is aimed at voice coaches and vocalists who want to learn to record and shape their vocal tracks, as well as how to teach these skills to voice students. No matter your technical experience or setup, you can record great-sounding vocals!