What Every Singing Teacher Should Know About Vocal Health: Fact-finding and Myth-busting (Part 2)
Tuesday 12th March 2024, 5:00 PM - 7:00 PM (London Time)
Singing teachers are on the frontlines of vocal health.
As vocal athletes, singers are at a higher risk for developing voice disorders. Singing teachers are in an optimal position to educate students about vocal health. Informed, evidence-based education can help prevent students from developing voice problems. However, spreading misinformation can perpetuate vocal health myths and possibly contribute to developing voice problems and/or delaying appropriate voice care.
As expert monitors of sound, singing teachers are also often the first to identify a possible voice problem in a student. Knowing the signs of a voice disorder and making appropriate referrals is another way that singing teachers can make significant contributions to vocal health.
With this role comes great responsibility: it is incumbent on the teacher to make sure the vocal health information they are passing on to their students is accurate and up-to-date, and not based merely on hearsay or opinion. Singing teachers can play a major role in dispelling common myths and misinformation about vocal health.
This workshop will cover a number of topics related to vocal health education, including:
- What the singing teacher should know about voice anatomy, physiology, and the basics of voice disorders
- Vocal hygiene
- Medical factors and the voice, including upper respiratory infections, pulmonary conditions, allergies, laryngopharyngeal reflux, long COVID, musculoskeletal injuries, temporomandibular disorder (TMD), and others
- Optimizing efficiency of the speaking voice
- Vocal pacing:
- Balancing voice rest and vocal conditioning
- When to recommend complete voice rest
- The singing teacher’s role in identification of dysphonia and making appropriate referrals to the vocal health team:
- Ending the 'blame game': abolishing the concept of 'vocal abuse'
- Working with singers who have or have had a voice injury
- Common vocal health myths and how to dispel them
Full course dates and times:
Thursday 7th March 2024 (5:00 PM - 7:00 PM UK time)
Tuesday 12th March 2024 (5:00 PM - 7:00 PM UK time)
Leda Scearce
Soprano Leda Scearce has been featured in leading roles with the National Opera Company, Hawaii Opera Theatre, Long Leaf Opera Festival, Triangle Opera...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 2nd June 2025
5:00 PM - 7:00 PM
Monday 9th June 2025
5:00 PM - 7:00 PM
Monday 16th June 2025
5:00 PM - 7:00 PM
Monday 23rd June 2025
5:00 PM - 7:00 PM
Monday 30th June 2025
5:00 PM - 7:00 PM
(London Time)
Certificate in Foundations of Vocology with Adam Roberts
Adam Roberts
This fifteen week (30-hour) Vocology Cohort Intensive provides a comprehensive overview of basic vocal anatomy, physiology, and theories of voice production & perception, fundamentals of vocal health, pathology, evaluation, performance, and habilitation of the speaking and singing voice, and a survey of research, resources, and professional opportunities.
Thursday 5th June 2025
5:00 PM - 7:00 PM
(London Time)
Advanced Belting Techniques: Coordinating the voice to communicate the human experience!
Matt Edwards
All voice types can belt, and there’s more than one kind of belting, but in introductory settings, it’s tough to cover every nuance that comes with training both aspiring and experienced belters. Join one of the leading voice teachers for commercial and musical theatre styles in the United States, Matt Edwards, for a dive into advanced belting. Empower your students to use the full range of their belt voice, and to move beyond the stereotype of belting!
Tuesday 10th June 2025
5:00 PM - 7:00 PM
(London Time)
Nasality in singing: a needed ingredient, a technical fault, or both?
Dr Charlene Santoni
Nasality refers to how much sound comes out of your nose when you speak or sing. It is an important concept in resonant singing instruction, and also one that has been privy to long standing debate. Some believe nasality is a needed ingredient in singing, while others consider nasality a technical fault. This presentation will provide three probable explanations for the opposing views, and a way forward. It will also highlight research that explores how a singing technique (voice focus) influences nasality, which may help to refine current rehabilitation strategies for individuals struggling with hyper- or hyponasal speech!