What every singing teacher should know about vocal health: Fact-finding and myth-busting (2-part course)
Monday 21st October 2024, 5:00 PM - 7:00 PM (London Time)
Tuesday 22nd October 2024, 5:00 PM - 7:00 PM (London Time)
Singing teachers are on the front lines of vocal health.
As vocal athletes, singers are at a higher risk for developing voice disorders. Singing teachers are in an optimal position to educate students about vocal health. Informed, evidence-based education can help prevent students from developing voice problems. However, spreading misinformation can perpetual vocal health myths and possibly contribute to developing voice problems and/or delaying appropriate voice care.
As expert monitors of sound, singing teachers are also often the first to identify a possible voice problem in a student. Knowing the signs of a voice disorder and making appropriate referrals is another way that singing teachers make significant contributions to vocal health.
With this role comes great responsibility: it is incumbent on the teacher to make sure the vocal health information they are passing on to their students is accurate and up-to-date, and not based merely on hearsay or opinion. Singing teachers can play a major role in dispelling common myths and misinformation about vocal health.
This workshop will cover a number of topics related to vocal health education including:
- What the singing teacher should know about voice anatomy, physiology, and the basics of voice disorders.
- Vocal hygiene
- Medical factors and the voice including upper respiratory infections, pulmonary conditions, allergies, laryngopharyngeal reflux, long COVID, musculoskeletal injuries, temporomandibular joint disorder, and others.
- Optimizing efficiency of the speaking voice
- Vocal pacing:
- Balancing voice rest and vocal conditioning
- When to recommend complete voice rest
- The singing teacher’s role in identification of dysphonia and making appropriate referrals to the vocal health team.
- Ending the “blame game”: abolishing the concept of “vocal abuse”
- Working with singers who have or have had a voice injury
- Common vocal health myths and how to dispel them
Dates and times
Part 1: Monday 21st October 2024 5:00 pm - 7:00 pm UK time.
Part 2: Tuesday 22nd October 2024 5:00 pm - 7:00 pm UK time.
Leda Scearce
Soprano Leda Scearce has been featured in leading roles with the National Opera Company, Hawaii Opera Theatre, Long Leaf Opera Festival, Triangle Opera...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Monday 27th April 2026
12:00 PM - 1:30 PM
Tuesday 28th April 2026
12:00 PM - 1:30 PM
Wednesday 29th April 2026
12:00 PM - 1:30 PM
Thursday 30th April 2026
12:00 PM - 1:30 PM
(London Time)
Certificate in Coaching Emotional Vocal Expression
Louisa Morgan
Understanding emotions is crucial for coaching performers towards more authentic and compelling performances. However, working with emotions can be challenging, both physiologically and mentally. This course will introduce you to theories of emotion and the connections between the brain, body, and voice. We will then discuss how to work effectively with emotions when coaching speakers or singers, considering the physical and mental demands.
Monday 27th April 2026
3:00 PM - 5:00 PM
Tuesday 28th April 2026
3:00 PM - 5:00 PM
Wednesday 29th April 2026
3:00 PM - 5:00 PM
Thursday 30th April 2026
3:00 PM - 5:00 PM
Friday 1st May 2026
3:00 PM - 5:00 PM
Tuesday 5th May 2026
3:00 PM - 5:00 PM
(London Time)
Certificate In Applied Neuroscience And Voice with Voice Scientist Heidi Moss
This six-day course is designed to provide an introduction to the neuroscience of vocalization. It aims to provide a foundation for those who are looking to fuse science with art and understand that the voice is so much more than an instrument.
Tuesday 28th April 2026
5:00 PM - 7:00 PM
(London Time)
Teaching Children in Group Voice Settings: Structure, Pedagogy, and Practice!
Dana Lentini
Join Dana Lentini as she explores practical and pedagogical strategies for designing and teaching successful group singing classes for children. Drawing on principles of pediatric vocal pedagogy and classroom teaching practice, participants will learn how to structure classes that balance vocal development, musicianship, and creative engagement. Particular attention will be given to a five-stage teaching framework that progresses from mind–body awareness and breath coordination through musicianship, vocal technique, and repertoire study.