Short Courses & Events / Archive

Working with Muscle Tension in Singers

Wednesday 2nd November 2022, 6:00 PM - Tuesday 2nd November 2021 8:00 PM (London Time)

Muscle tension dysphonia (MTD) is a voice disorder in which the patient presents with altered vocal quality and/or function that is determined to be a result of maladaptive, inefficient coordination of the vocal system. Although laryngeal examination often reveals significant tension of the muscles in and surrounding the larynx, the maladaptive tension can often include the articulators, muscles of the neck, shoulders, back, abdomen, and/or lower body. The MTD may be primary, in which no structural abnormalities are found in the larynx, or secondary, in which the muscle tension arises as a compensation for an underlying laryngeal pathology. As a functional voice disorder, MTD is most optimally managed by a speech-language pathologist or speech-language therapist.

However, most singers will experience some form or degree of maladaptive muscle tension during their training as a part of normal development of vocal technique. The singing teacher is often the first person to identify the muscle tension. How do the singing teacher and SLP/SLT determine when muscle tension is part of normal acquisition of technique and when it crosses the line into pathology?

In this workshop, the presenter will explore these and other questions, as well as strategies for reducing maladaptive muscle tension in the studio and clinic.

 

  1. Untying the Knot
    1. What is Muscle Tension Dysphonia?
    2. How is MTD treated?
    3. When is muscle tension a “normal” part of developing singing technique and when is it a disorder?
    4. Appropriate referral patterns between vocal health care providers and singing teachers/voice trainers.
  2. Clinical interventions
    1. Manual therapy models
    2. Relaxation and stretching exercises
    3. Rehabilitative vocal exercises
    4. Medical treatments
  • Strategies and exercises for addressing muscle tension in the studio or clinic
    1. Core stability and anchoring the larynx
    2. Tongue tension
    3. Jaw tension
    4. Laryngeal tension
    5. Upper body tension
    6. Abdominal tension
  1. Case Studies

Leda Scearce

Soprano Leda Scearce has been featured in leading roles with the National Opera Company, Hawaii Opera Theatre, Long Leaf Opera Festival, Triangle Opera...

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Introduction to Vocal Acoustics for Spoken and Sung Voice
Monday 19th October 2026
2:00 PM - 4:00 PM
Tuesday 20th October 2026
2:00 PM - 4:00 PM
(London Time)

Introduction to Vocal Acoustics for Spoken and Sung Voice

Gökçe Kutsal

This course is designed to break down the fundamentals of acoustics for both spoken and sung voice in a beginner-friendly, accessible way — so you can easily understand and apply these concepts to your teaching or research.

Practical Magic*: The Art & Science of Balancing Voices with SOVTs and VFEs
Tuesday 20th October 2026
5:00 PM - 7:00 PM
(London Time)

Practical Magic*: The Art & Science of Balancing Voices with SOVTs and VFEs

Melanie Tapson

Through live demonstrations, group practice, and peer coaching, you’ll learn how to teach SOVTs and VFEs with clarity and precision, integrate their principles to support vocal health, recovery, and stylistic flexibility and troubleshoot challenges and adapt exercises for individualized results.

Pop Pedagogy - an Overview
Tuesday 27th October 2026
5:00 PM - 7:00 PM
(London Time)

Pop Pedagogy - an Overview

Kim Chandler

Some successful pop stars are celebrating career lengths of over sixty years, having been around since the 1950s when pop music emerged and diversified from jazz, so pop singing has been in existence sufficiently long now that, for teaching purposes, we can observe and analyse what type of approach serves it best.