Short Courses & Events / Archive

Working with Muscle Tension in Singers

Wednesday 2nd November 2022, 6:00 PM - Tuesday 2nd November 2021 8:00 PM (London Time)

Muscle tension dysphonia (MTD) is a voice disorder in which the patient presents with altered vocal quality and/or function that is determined to be a result of maladaptive, inefficient coordination of the vocal system. Although laryngeal examination often reveals significant tension of the muscles in and surrounding the larynx, the maladaptive tension can often include the articulators, muscles of the neck, shoulders, back, abdomen, and/or lower body. The MTD may be primary, in which no structural abnormalities are found in the larynx, or secondary, in which the muscle tension arises as a compensation for an underlying laryngeal pathology. As a functional voice disorder, MTD is most optimally managed by a speech-language pathologist or speech-language therapist.

However, most singers will experience some form or degree of maladaptive muscle tension during their training as a part of normal development of vocal technique. The singing teacher is often the first person to identify the muscle tension. How do the singing teacher and SLP/SLT determine when muscle tension is part of normal acquisition of technique and when it crosses the line into pathology?

In this workshop, the presenter will explore these and other questions, as well as strategies for reducing maladaptive muscle tension in the studio and clinic.

 

  1. Untying the Knot
    1. What is Muscle Tension Dysphonia?
    2. How is MTD treated?
    3. When is muscle tension a “normal” part of developing singing technique and when is it a disorder?
    4. Appropriate referral patterns between vocal health care providers and singing teachers/voice trainers.
  2. Clinical interventions
    1. Manual therapy models
    2. Relaxation and stretching exercises
    3. Rehabilitative vocal exercises
    4. Medical treatments
  • Strategies and exercises for addressing muscle tension in the studio or clinic
    1. Core stability and anchoring the larynx
    2. Tongue tension
    3. Jaw tension
    4. Laryngeal tension
    5. Upper body tension
    6. Abdominal tension
  1. Case Studies

Leda Scearce

Soprano Leda Scearce has been featured in leading roles with the National Opera Company, Hawaii Opera Theatre, Long Leaf Opera Festival, Triangle Opera...

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Creative Articulation
Thursday 30th October 2025
5:00 PM - 7:00 PM
(London Time)

Creative Articulation

Annie Morrison

Most of us have little idea of HOW we speak, or what to do to make speech more muscular. Join Annie Morrison (creator of the 'Morrison Bone Prop') for this two hour session on Creative Articulation, a holistic and haptic approach to the touchings and feelings of the articulators in the dance of speech. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level.

The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology
Tuesday 4th November 2025
10:00 AM - 12:00 PM
(London Time)

The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology

Dr Matt Allen

The belt’s got soul! This course offers a deep dive into the vocal artistry and biomechanics of R&B/soul singing, with a particular focus on the belt voice—a powerful and expressive vocal technique central to the genre. Drawing from over 80 years of stylistic evolution, the course explores how R&B/soul singing has shaped contemporary commercial music and investigates the unique vocal traits that define its sound.

The Science of Sound: Optimizing Vocal Acoustics for Contemporary Styles!
Tuesday 4th November 2025
3:00 PM - 5:00 PM
(London Time)

The Science of Sound: Optimizing Vocal Acoustics for Contemporary Styles!

Dr Ana Flavia Zuim

This course explores the scientific principles underpinning vocal production, acoustics, and the care of the singing voice, drawing from both foundational texts and contemporary research. Students will engage deeply with concepts from Titze’s Principles of Voice Production and Bozeman’s Practical Vocal Acoustics, including the nature of sound, pressure waveforms, harmonics, formants, and the spectral envelope. Emphasis is placed on understanding both linear and non-linear source-filter models, highlighting how the glottis produces sound and how the vocal tract selectively reinforces harmonics to enhance vocal power, timbre, and efficiency.