Your Body Breathes! The Relationship Between The Body, Breathing And The Voice
Thursday 27th April 2023, 5:00 PM - 7:00 PM (London Time)
We all know that singing is deeply connected to our breathing and we all understand that good singing involves deliberate use of the breath, but there are many opinions on how these things intermingle. How does one know which is best or even which is useful?
We will look at the anatomy of the torso – including the ribs, the lungs and the alignment of the spine and we will examine the muscles of the ribcage (intercostals), the abdominals to understand how they function.
Beyond that, we must investigate the vocal fold movement involved in various kinds of singing because the vocal folds control the airflow and their action has a direct impact on how air is used and how we feel it in exhalation, in sighing and in singing – all different activities. And we will do them to see how that works.
Each body is unique. Everyone experiences their body in their own way. How can breathing be the same, under all circumstances and in all activities for everyone? Hint: it can’t! We will take a look at body types, physical conditioning and typical kinesthetic use in sports, dance and in daily activities. What do YOU experience?
All of this matters to those of us who teach or sing. Let’s investigate breathing and the body together!
Jeanie LoVetri
Jeannette LoVetri is a singing voice specialist in New York City who began teaching in 1971. She has taught throughout the USA, Europe, Australia...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.