Best Practices: How to make the most out of your performance preparation time!
Monday 26th January 2026, 7:00 PM - 9:00 PM (London Time)
There’s no substitute for being prepared as well as you possibly can be for a performance. But peak performance requires smart, sufficient practice – not too much, not too little, but just right, like Goldilocks and the Three Bears! What is practice, what is the difference between practice and performance, and how does optimal practice occur?
This course will review what is known from research on motor learning about how we best learn to do activities like singing. We’ll define important terms, such as practice, learning, and performance, and examine different kinds of practice (massed vs. distributed; constant versus variable; blocked versus random) and when they are most useful. This impacts how we organize our practice time, how we plan teaching others, and even how we warm up before a performance.
We’ll look at various strategies for reflecting on our practicing, tracking our progress, and seeing patterns in how we are or are not making progress. These include daily, weekly and monthly reflections, having practice partners and lesson partners, planning schedules for major performances, goal setting, musical and character study prompts, and various apps to track what you do.
Time will be left for questions and sample materials will be available for your use.
Professor John Nix
John Nix is Professor of Voice and Voice Pedagogy and chair of the voice area at the University of Texas at San Antonio. His mentors include Barbara Doscher...
Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.
Learn MoreSorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 27th October 2026
5:00 PM - 7:00 PM
(London Time)
Pop Pedagogy - an Overview
Kim Chandler
Some successful pop stars are celebrating career lengths of over sixty years, having been around since the 1950s when pop music emerged and diversified from jazz, so pop singing has been in existence sufficiently long now that, for teaching purposes, we can observe and analyse what type of approach serves it best.
Friday 30th October 2026
3:00 PM - 5:00 PM
(London Time)
Feldenkrais Method® - its application in speech and song!
Marina Gilman
The Feldenkrais Method® is a form of somatic education that uses gentle movement and directed attention to improve physical and mental functioning, including singing and speaking. Since we are not always aware of the source of tension or discoordination, it is difficult to make the necessary adjustments to ensure optimal use of the voice!
Monday 2nd November 2026
5:00 PM - 7:00 PM
Tuesday 3rd November 2026
5:00 PM - 7:00 PM
(London Time)
The Vocal Health Challenges for Actors and Singers!
Leda Scearce
Two part course! Vocal health principles are inextricably and symbiotically linked with singing and acting voice pedagogy: Good vocal health allows the singer and actor to more easily and effectively achieve their technical and artistic goals, and good teaching reinforces vocal technique that diminishes the risk of vocal injury. We now also recognize the necessity for singers and actors to understand how their instruments work, how to take care of their voices, and what to do when something goes wrong. Singing and acting teachers are indeed on the front lines of vocal health!