Short Courses & Events / Archive

Best Practices: How to make the most out of your performance preparation time!

Monday 26th January 2026, 7:00 PM - 9:00 PM (London Time)

There’s no substitute for being prepared as well as you possibly can be for a performance.  But peak performance requires smart, sufficient practice – not too much, not too little, but just right, like Goldilocks and the Three Bears!  What is practice, what is the difference between practice and performance, and how does optimal practice occur?

This course will review what is known from research on motor learning about how we best learn to do activities like singing.  We’ll define important terms, such as practice, learning, and performance, and examine different kinds of practice (massed vs. distributed; constant versus variable; blocked versus random) and when they are most useful.  This impacts how we organize our practice time, how we plan teaching others, and even how we warm up before a performance.

We’ll look at various strategies for reflecting on our practicing, tracking our progress, and seeing patterns in how we are or are not making progress.  These include daily, weekly and monthly reflections, having practice partners and lesson partners, planning schedules for major performances, goal setting, musical and character study prompts, and various apps to track what you do.

Time will be left for questions and sample materials will be available for your use.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Professor John Nix

John Nix is Professor of Voice and Voice Pedagogy and chair of the voice area at the University of Texas at San Antonio.  His mentors include Barbara Doscher...

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

Learn More

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Music Theory Fundamentals for Voice Pedagogues
Tuesday 5th May 2026
2:00 PM - 4:00 PM
Tuesday 12th May 2026
2:00 PM - 4:00 PM
Tuesday 19th May 2026
2:00 PM - 4:00 PM
Tuesday 26th May 2026
2:00 PM - 4:00 PM
Tuesday 2nd June 2026
2:00 PM - 4:00 PM
Tuesday 9th June 2026
2:00 PM - 4:00 PM
(London Time)

Music Theory Fundamentals for Voice Pedagogues

Dr David Cane

Voice pedagogy has advanced significantly in the last decades in relation to knowledge of the vocal apparatus (anatomy and mechanics), acoustics, and performance psychology (to name just a few subfields) – this is a wonderful thing! Nonetheless, musicianship and the foundations of music theory are still relevant to the teaching and coaching of singers and this course aims to empower voice teachers and coaches with skills to support the fundamental musicianship development of their students.

Flexible Pedagogy: Teaching Singers with Dynamic Conditions
Thursday 4th June 2026
5:00 PM - 7:00 PM
(London Time)

Flexible Pedagogy: Teaching Singers with Dynamic Conditions

Joanne Bozeman
Marita Stryker

Is your "flexible" student actually at risk? In recent years, the singing community has seen a vital shift in awareness toward "invisible" conditions like Hypermobility Spectrum Disorders (HSD), hEDS, and POTS. While hypermobility can sometimes feel like a "superpower" for range and flexibility, it often comes with a hidden cost: a higher frequency of voice disorders, respiratory challenges, and autonomic fatigue. Join Joanne Bozeman and Marita Stryker as they unpick the the special challenges and management strategies needed...

In Conversation With… Amanda Flynn
Wednesday 10th June 2026
3:00 PM - 4:00 PM
(London Time)

In Conversation With… Amanda Flynn

Dr Amanda Flynn

Join us for the first event in our new public interview series exploring vocal health and sustainability in musical theatre performance. Free and open to all!