The Integration Of A Science-Informed Approach To The Application Of Teaching Singing
Thursday 24th September 2020, 5:00 PM - 7:00 PM (London Time)
This workshop focuses on practical application and is based on Kari’s recent book Systematic Approach to Voice: The Art of Studio Application” published by Plural Publishing.
It looks at working with techniques with three key singers.
There will be an opportunity to observe, ask questions and develop pedagogically.
The workshop is ideal for those who wish to develop their practical application.
The workshop will take the following format:
5:00pm-5:15pm welcome and introduction
5:15pm-5:45pm Singer #1 (Female Classical) to demonstrate a specific protocol
5.45-6:15 Singer #2 (Music Theatre-emphasis on female belt aesthetic)
6:15pm-6:45pm Singer #3 Singer with injury/pathology
6.45pm – Q&A time
All sessions are recorded and will be sent out to all registered participants.
Dr Kari Ragan
Singer, author, and voice pedagogue Kari Ragan holds degrees from the University of Washington (DMA) and Indiana University (MM, BM). She was the recipient of the prestigious Van L. Lawrence Award (2012), the NATS Foundation Pedagogy Award (2009), and the Wicklund Singing Voice Specialist Certificate (2010), and she was selected as a Master Teacher for the NATS Intern Program in 2021.
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Thursday 30th October 2025
5:00 PM - 7:00 PM
(London Time)
Creative Articulation
Annie Morrison
Most of us have little idea of HOW we speak, or what to do to make speech more muscular. Join Annie Morrison (creator of the 'Morrison Bone Prop') for this two hour session on Creative Articulation, a holistic and haptic approach to the touchings and feelings of the articulators in the dance of speech. Seeing articulation as a purely mechanical skill is detrimental to an actor's process: it is crucial to understand what language is doing on a biological level.
Tuesday 4th November 2025
10:00 AM - 12:00 PM
(London Time)
The Belt Voice in R&B/Soul Singing: Vocal Characteristics & Physiology
Dr Matt Allen
The belt’s got soul! This course offers a deep dive into the vocal artistry and biomechanics of R&B/soul singing, with a particular focus on the belt voice—a powerful and expressive vocal technique central to the genre. Drawing from over 80 years of stylistic evolution, the course explores how R&B/soul singing has shaped contemporary commercial music and investigates the unique vocal traits that define its sound.
Tuesday 4th November 2025
3:00 PM - 5:00 PM
(London Time)
The Science of Sound: Optimizing Vocal Acoustics for Contemporary Styles!
Dr Ana Flavia Zuim
This course explores the scientific principles underpinning vocal production, acoustics, and the care of the singing voice, drawing from both foundational texts and contemporary research. Students will engage deeply with concepts from Titze’s Principles of Voice Production and Bozeman’s Practical Vocal Acoustics, including the nature of sound, pressure waveforms, harmonics, formants, and the spectral envelope. Emphasis is placed on understanding both linear and non-linear source-filter models, highlighting how the glottis produces sound and how the vocal tract selectively reinforces harmonics to enhance vocal power, timbre, and efficiency.