Short Courses & Events / Archive

Embodied voice research: negotiating the ‘inner’ and outer’

Thursday 7th May 2026, 3:00 PM - 5:00 PM (London Time)

This module is artificially divided into four phases. The central thrust of the module will be around the employment of Donald Schön’s concept of ‘reflection-in-action’ and ‘reflection-on-action’ to contextualise the potential interface between the inner and the outer in embodied voice research.

In phase one we will explore the dynamics of embodied (envoiced) practice, with specific reference to the fluid intersect between subjective object and objective subject (acknowledging Sobchak) within bodyvoice.

In phase two we will engage with the demands of research, with specific reference to how one might capture the relevant material to substantiate any conclusions one may reach through practice. Research as a mode of insight development and justification towards transference will be foregrounded.

In phase three we will turn to current practices in the field of embodied research, with specific reference to the work of Spatz and Tantia (amongst others) to tease out the complexities of embodied voice research. We will align the key nodes of embodied research with the principles of embodied learning.

In phase four we will explore the application of the insight gained in phases one to three in designing possible research trajectories that will adhere to institutional research demands while promoting and honouring the embodied and envoiced processes of our field.

🏷️ Price £30 (UK VAT inclusive)
🎥 Recording automatically sent to all who book (even if you cannot attend live)
▶️ Rewatch as many times as you like
📜 Certificate of attendance available

Marth Munro

Marth specialises in bodymind in behaviour and performance. She is a Professor Extraordinaire in the School of the Arts: Drama, University of Pretoria, contributing to post-graduate research supervision in Embodied Performance and has supervised a number of Masters and Doctoral students to completion of their studies across her speciality areas.

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Attend this course for as little as £22 as part of the Voice Professional Training CPD Award Scheme.

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Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

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(London Time)

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(London Time)

Dalcroze Eurhythmics in the Voice Studio

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The Dalcroze Method taught by Swiss music teacher Émile Jaques-Dalcroze (1865-1950) has long been valued as a tool for teaching music in group settings (ensembles, choirs, music classes, etc.) But what about its one-on-one use in the applied voice studio? Join Dr. Tish Oney for this interactive short course and learn about the history and principles of this important method of music education. Through the employ of Dalcroze movements and concepts, singers and teachers explore music in ways that can reduce tension and increase the fun of music making, while encouraging discovery of technical and theoretical skill-building practices.