From Stage to Sage Research Hub
Thursday 4th November 2021, 2:00 PM - 4:00 PM (London Time)
We are opening our doors again with our Research Hub where you can listen to an inspiring talk by Dr. Motje Wolf and discuss your research ideas. If you are new to research, you can learn about some core concepts and envisage ways to engage and contribute to the community of practice.
We have created Special Interest Groups to enable you to share ideas and resources. We have scheduled the first one on November 4th, 2 -4pm, and would like to undertake a poll to see who can attend. Please see the outline below:
Research Hub meeting
4 November 2021 2-4pm
2:00 pm Welcome from Debbie and Motje
2:10 pm Talk by Motje: Embracing community – sharing research where it belongs
Research never happens in isolation. Researching is about connecting to people – especially fellow researchers to build communities of research. MA students are researchers in training and belong to this group as much as long-standing researchers. In this talk, I will pick up on the ideas of Lave and Wenger to introduce our research hub as a community of practice. Drawing on Mayer and Land’s Threshold concepts and Vygotsky’s Zone of Proximal Development, I will highlight the ideas behind the need for this community. As researchers we are custodians of knowledge. In that function, we need to know what to keep, how to ensure quality but also for whom this knowledge is curated. In short, how do we make use of the research that has been developed in the Voice Study Centre over the last years? I will introduce different publishing models to see where each of us can contribute to research in its wider scale, no matter at which level you are in your course.
2:30 Discussion
2:55 Break
3:00 Breakout rooms
- Vocal Health – Kate Cubley
- Singing For Health – Emily Foulkes
- Performance Anxiety and Coaching – Teresa Shaw
- Vocal Pedagogy – Motje Wolf
- Getting Started in Research – Debbie Winter
3:50 Group Feedback
Debbie Winter
Debbie Winter (LLB Hons, MA) lectured in Law and sang professionally on the jazz scene before deciding to change careers and become a vocal coach. She noticed a...
Dr Motje Wolf
Dr Motje Wolf was awarded a PhD in Music Education from De Montfort University Leicester (UK) and an MA from the University of Leipzig (Germany) in Musicology and Dramatics. Her research focuses on vocal pedagogy, epistemology and pedagogic knowledge exchange.
Teresa Shaw
Teresa has focused on the voice throughout her career. She completed her undergraduate degree in music at Manchester University, her Advanced Diploma in vocal...
Emily Foulkes
Emily gained a Distinction in her Master’s in Voice Pedagogy, specialising in Singing for Mental Health, Pain Management, and Trauma-Informed Practice...
Kate Cubley
Kate Cubley (BA (Hons), MA) is an advanced level Voice Coach, Singing Teacher, singer and researcher working predominantly from her private studio in Cheshire...
Sorry, this is an archived short course...
We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.
Tuesday 28th July 2026
5:00 PM - 7:00 PM
(London Time)
“Too Much, Too Little, Just Right!” - The Balancing Act Model
Robert Edwin
The Balancing Act Model encourages singers to explore the extremes of singing, and from those extremes, establish their most efficient (balanced) voice and performance techniques. Join the renowned singer/actor and author Robert Edwin as he covers many aspects of the singing process including breathing, phonation, resonation, articulation, and attitude. If you’re involved in music theater or opera, you’ll find the Model to be especially helpful in developing character voices for roles such as Nathan and Adelaide in Guys and Dolls. If you’re just looking to find out what your body and voice can do, The Balancing Act Model can provide many answers!
Thursday 30th July 2026
2:00 PM - 4:00 PM
(London Time)
A VOICE FOR THE VOICELESS | Person-Centred Singing Teaching
William Leigh Knight
Only around 3% of the population fall into the category of amusia while over 17% consider themselves ‘tone-deaf’; and this does not account for non-singers, a wider group sometimes described as ‘tuneless’. So, who are ‘the voiceless’? Join William Leigh-Knight as he unpicks this question and considers the purpose of training a voice, when it is considered such a natural human attribute, and he expands on the principles that drive his own practice, which may be summarised as ‘person-centeredness’
Monday 3rd August 2026
1:30 PM - 2:30 PM
Tuesday 4th August 2026
1:30 PM - 2:30 PM
Wednesday 5th August 2026
1:30 PM - 2:30 PM
Thursday 6th August 2026
1:30 PM - 2:30 PM
Friday 7th August 2026
1:30 PM - 2:30 PM
(London Time)
Level Two Certificate in Accents and Phonetics with Louisa Morgan
Louisa Morgan
Build on your foundational knowledge of accents and phonetics in this week‑long lunchtime course designed specifically for voice teachers. Whether you have completed our Level 1 Certificate or already possess a basic working knowledge of phonetics and accent work, this Level 2 course will help you deepen your skills, sharpen your analytical ear, and expand your practical toolkit for teaching.