Short Courses & Events / Archive

Staying In Lane: Exploring The Boundary Line Between Teaching Singing And Therapeutic Practice

Thursday 2nd December 2021, 2:00 PM - 4:00 PM (London Time)

Our open-access symposium will explore the ethical codes of teaching singing and engaging in therapeutic practice. It will form the first of a series of symposia examining the tensions between teaching/coaching and therapy. With a focus on vocal health and hearing, this conference will evaluate the ethical issues faced regularly by the singing profession.

The event will be conducted online via Zoom:

2nd December 2021 from 2-4pm GMT.

The symposium intends to explore the ethical codes of teaching singing and caring for voices. The intended audience will be singing teachers, choir leaders, performance coaches, researchers and SLTs specialising in voice.

The intended Learning Objectives will be to:

  • Discuss the existing ethical codes for Singing Teachers including safeguarding
  • Examine the shifting nature of the boundary line
  • Question how (and why) you can maintain good ethical standing in your own work
  • Examine the impact of a multi-disciplinary team

Schedule

2:00pm               Welcome

2:05pm               The Mary Seacole Research Centre

2:10pm               Facilitator: Kate Cubley

2:15pm               Teaching Ear to Hear: Vocal Instructors hearing health awareness with  Yvonne Gonzal-Redman

2:25pm               Key Note: Optimising the voice teacher’s role on the voice team with Julia Gerhard (CCC, SLP, DMA)

2:40pm               The Multi-disciplinary Team for Vocal Health: what is the singing teacher’s role? with Jenevora Williams (PhD)

2:50pm               The role of the vocal rehabilitation coach: ethical principles and considerations with Pippa Anderson (VRC – The Freeman Hospital) ‎ ‎ ‎ ‎ ‎ ‎‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎  ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎ ‎and Natalie Eastwood (Clinical Lead – The Freeman Hospital)

3:00pm               Key Note: The Clinical Singing Voice Specialist: A Hybrid Profession with Leda Scearce (MM, MS, CCC-SLP)

3:15pm               Let Me Guess: why perceptual evaluation of vocal injuries isn’t enough with Melanie Tapson (BFA, BEd, MSc SLP (C) CCC-SLP Reg CASLPO)

3:25pm               Group Discussion

3:55pm               Conclusion

4:00pm               End

Kate Cubley

Kate Cubley (BA (Hons), MA) is an advanced level Voice Coach, Singing Teacher, singer and researcher working predominantly from her private studio in Cheshire...

Pippa Anderson

Pippa Anderson holds an Mlitt (Master of Letters) in Music, and is also a senior lecturer and vocal health consultant for the musical theatre programme at Leeds Conservatoire and Clinical Vocal Rehabilitation Specialist at Freeman Hospital.

 

Natalie Eastwood

Natalie Eastwood qualified as a speech and language therapist from Sheffield University and has over 18 years of experience working with voice and swallowing...

Leda Scearce

Soprano Leda Scearce has been featured in leading roles with the National Opera Company, Hawaii Opera Theatre, Long Leaf Opera Festival, Triangle Opera...

Julia Gerhard

Julia Gerhard is a speech pathologist and singer with a passion for interdisciplinary voice education and voice rehabilitation. She earned a doctorate in musical arts...

Dr Jenevora Williams

Dr Jenevora Williams is a leading exponent in the field of vocal health and singing teaching. After a successful career in Opera, Jenevora turned her attention...

Professor Yvonne Gonzales Redman

Yvonne Gonzales Redman is a Professor of Voice and Pedagogy and Chair of the Voice Area at the University of Illinois Urbana-Champaign and a member of the American Academy of Teachers of Singing. She began her musical career as a Vocal Performance major at Stephen F. Austin State University in Nacogdoches, Texas. Upon graduation, the Houston native was a winner of both the Metropolitan Opera National Council Auditions and the Houston Grand Opera Eleanor McCollum Award.

Melanie Tapson

Melanie Tapson is a professional singer, Singing Voice Specialist, and speech-language pathologist whose practice specializes in voice assessment and therapy...

Sorry, this is an archived short course...

We have plenty of upcoming short courses coming soon. See details of some of them below or look at the full list of short courses.

Learn to Coach RP and SSBE – a Certificate in Accent Coaching
Wednesday 4th March 2026
1:00 PM - 2:00 PM
Wednesday 11th March 2026
1:00 PM - 2:00 PM
Wednesday 18th March 2026
1:00 PM - 2:00 PM
Wednesday 25th March 2026
1:00 PM - 2:00 PM
Wednesday 1st April 2026
1:00 PM - 2:00 PM
Wednesday 8th April 2026
1:00 PM - 2:00 PM
(London Time)

Learn to Coach RP and SSBE – a Certificate in Accent Coaching

Louisa Morgan

This six-week course is an opportunity to learn about both Received Pronunciation and Standard Southern British English. Rather than a course in learning how to speak RP/SSBE (there are many brilliant available courses for this already), this course is about learning how to coach it.

Acting Emotion: Perspectives from the Masters
Thursday 5th March 2026
1:00 PM - 2:30 PM
Thursday 12th March 2026
1:00 PM - 2:30 PM
(London Time)

Acting Emotion: Perspectives from the Masters

Louisa Morgan

Stanislavski said, “our artistic emotions are, at first, as shy as wild animals and they hide in the depths of our souls.” Michael Chekhov said, our bodies should be like a “sensitive membrane, a kind of receiver and conveyor of the subtlest images, feelings, emotions and will impulses.” And Meisner said we should be “living truthfully under imaginary circumstances.” Join Louisa Morgan in this 2-part course as she explores a range of well-known acting practitioners to investigate what they believed (or believe) about emotion and how they approached it in their work. She'll compare their work to see where they align and where they diverge.

The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers
Tuesday 17th March 2026
5:00 PM - 7:00 PM
(London Time)

The Use of Vibrato in Belt and Legit Styles of Singing in Professional Female Musical Theatre Performers

Dr. Alyssa Becker

Shaped by the popular music of its time, musical theatre blends storytelling with an ever-evolving range of vocal styles—from classical legit singing to jazz, hip-hop, and powerhouse belting. Despite its importance, much of what we understand about vibrato comes from laboratory-based studies that strip singing of its musical, stylistic, and performance context. Join Dr Alyssa Becker as she connects current research with real-world pedagogy, revealing how elite musical theatre performers strategically use vibrato to shape style and storytelling, and showing how these insights can be applied in the voice studio to train stylistic flexibility and control!