Online Courses & Events
Our schedule below is always changing, so check back regularly! Sign up to our mailing list for all the latest offerings..
All our short courses are hosted 'live'. Recordings are sent out to registered participants afterwards (usually within 24 hours), for those that could not attend in real time.
Save money when buying multiple courses and get recognition for your Continuing Professional Development (CPD). The CPD Award Scheme acknowledges your commitments to further training and development. You will be awarded certificates in relation to the hours you spend attending CPD events hosted by Voice Study Centre. Look for the CPD logo to find qualifying courses. Discounts are applied automatically at checkout.
Buy now, choose later - you can also buy a CPD course bundle up-front, and choose when to use those credits. Click here for more details.
In addtition, we've now introduced a tiered CPD recognition pathway to further recognise your achievements. Become a CPD Associate or Fellow!
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5 SHORT COURSES (10 HOURS CPD) |
£125 (INC. VAT) Usually £150 SAVE £25 |
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10 SHORT COURSES (20 HOURS CPD) |
£235 (INC. VAT) Usually £300 SAVE £65 |
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15 SHORT COURSES (30 HOURS CPD) |
£330 (INC. VAT) Usually £450 SAVE £120 |
View Our Upcoming Short Courses:
Tuesday 18th August 2026
3:00 PM - 5:00 PM
Tuesday 25th August 2026
3:00 PM - 5:00 PM
Tuesday 1st September 2026
3:00 PM - 5:00 PM
Tuesday 8th September 2026
3:00 PM - 5:00 PM
Tuesday 15th September 2026
3:00 PM - 5:00 PM
Tuesday 22nd September 2026
3:00 PM - 5:00 PM
(London Time)
Musical Theatre Vocal Pedagogy Certificate
Kevin Wilson
Join Kevin Wilson for this six-part certificated course, offering an in‑depth, practical exploration of contemporary voice teaching for musical theatre. Across six focused classes, participants develop a systematic approach to vocal technique, diagnosis, and repertoire selection that reflects the stylistic, physical, and emotional demands of the genre. The curriculum integrates vocal science, embodied voice work, registration theory, and stylistic awareness across the five major sub‑genres of musical theatre.
Tuesday 15th September 2026
10:00 AM - 12:00 PM
(London Time)
Games & Gadgets: Building Vocal Skills Through Movement & Play!
Naomi Lewandoski
How can simple tools such as exercise balls, bubbles, stretchy bands, straws, ribbons and even toilet rolls transform the way singers learn? Naomi Lewandoski is a singing teacher, voice educator, performer and workshop presenter with a passion for helping singers explore the voice through movement, curiosity and evidence-informed practice. In this interactive course she explores how games, gadgets, movement and play can help build vocal skills by creating greater awareness of how the body coordinates for singing.
Wednesday 16th September 2026
5:00 PM - 6:00 PM
(London Time)
MA Voice Pedagogy: Online Information Session & Q&A
Debbie Winter
Considering our MA Voice Pedagogy? Join our Director for a focused online presentation and discussion to explore the course, ask questions, and discover whether postgraduate study at Voice Study Centre is right for you.
Tuesday 22nd September 2026
5:00 PM - 7:00 PM
(London Time)
Doubles and Stacks, Reverbs and Effects: Teaching Vocal Production Skills
Kelly Hoppenjans
Vocal production, or the process of recording a voice, is a multifaceted practice requiring a diverse set of skills. It has traditionally been considered the role of the producer in a recording studio, and vocalists can often feel intimidated by learning complex technical skills or prohibited by the cost of recording equipment. This course is aimed at voice coaches and vocalists who want to learn to record and shape their vocal tracks, as well as how to teach these skills to voice students. No matter your technical experience or setup, you can record great-sounding vocals!
Monday 28th September 2026
1:00 PM - 2:30 PM
Tuesday 29th September 2026
1:00 PM - 2:30 PM
Wednesday 30th September 2026
1:00 PM - 2:30 PM
Thursday 1st October 2026
1:00 PM - 2:30 PM
Friday 2nd October 2026
1:00 PM - 2:30 PM
(London Time)
Certificate in Executive Voice Coaching and Communication
Louisa Morgan
This five-day course is designed for professional coaches who want to extend their practice into executive coaching, leadership communication, and professional corporate voice work.
Friday 2nd October 2026
12:30 PM - 2:30 PM
(London Time)
Muscle Tension Dysphonia in the Singing Voice!
Dr Claire Thomas
A specialist course for singing teachers and voice professionals! Designed specifically for those working with singers, this in-depth course with Dr Claire Thomas explores Muscle Tension Dysphonia (MTD) through the lens of the singing voice - bridging clinical research and studio practice.
Tuesday 6th October 2026
5:00 PM - 7:00 PM
(London Time)
Inspired Not Bound: The Promise of Science-Informed Voice Pedagogy
Lynn Helding
Lynn Helding defines Science-Informed Voice Pedagogy in her upcoming book Practicing Science-Informed Voice Training as, “A type of hybrid singing voice pedagogy that unites science and art by researching current voice science, translating it, combining it with extant historic voice knowledge, and transmitting it to singers.” Join Lynn Helding as she seeks to understand human behaviour of both sides of the “Science versus Art” debate via research from the fields of cognitive science and behavioural science, focussing particularly on lessons learned due to several societal shifts.
Tuesday 13th October 2026
2:00 PM - 4:30 PM
(London Time)
Musical Theatre Singing Pedagogy: A Framework for Teaching Musical Theatre Singers!
Amanda Flynn
Join Amanda Flynn for this extended 2.5 hour session on the the pedagogy of teaching musical theatre singing. She will begin by exploring the flexibility needed for musical theatre singing through definitions, listening exercises, and some historical context.
Wednesday 14th October 2026
3:00 PM - 5:00 PM
(London Time)
Thinking Outside the Voice Box: Adolescent Female Voice Change
Dr Bridget Sweet-Manternach
Join Dr Bridget Sweet for this 2 hour session as she unpacks this fascinating topic. The purpose of this course is to bring attention to adolescents who experience an estrogen-dominant voice change and to encourage new and holistic ways of thinking about [assigned at birth] female voices. While considering physical changes during adolescence, we will unpack basic vocal anatomy and physiology and then discuss what happens to the vocal mechanism during voice change for females vs. [assigned at birth] males.
Monday 19th October 2026
2:00 PM - 4:00 PM
Tuesday 20th October 2026
2:00 PM - 4:00 PM
(London Time)
Introduction to Vocal Acoustics for Spoken and Sung Voice
Gökçe Kutsal
This course is designed to break down the fundamentals of acoustics for both spoken and sung voice in a beginner-friendly, accessible way — so you can easily understand and apply these concepts to your teaching or research.
Tuesday 20th October 2026
5:00 PM - 7:00 PM
(London Time)
Practical Magic*: The Art & Science of Balancing Voices with SOVTs and VFEs
Melanie Tapson
Through live demonstrations, group practice, and peer coaching, you’ll learn how to teach SOVTs and VFEs with clarity and precision, integrate their principles to support vocal health, recovery, and stylistic flexibility and troubleshoot challenges and adapt exercises for individualized results.
Tuesday 27th October 2026
5:00 PM - 7:00 PM
(London Time)
Pop Pedagogy - an Overview
Kim Chandler
Some successful pop stars are celebrating career lengths of over sixty years, having been around since the 1950s when pop music emerged and diversified from jazz, so pop singing has been in existence sufficiently long now that, for teaching purposes, we can observe and analyse what type of approach serves it best.
Friday 30th October 2026
3:00 PM - 5:00 PM
(London Time)
Feldenkrais Method® - its application in speech and song!
Marina Gilman
The Feldenkrais Method® is a form of somatic education that uses gentle movement and directed attention to improve physical and mental functioning, including singing and speaking. Since we are not always aware of the source of tension or discoordination, it is difficult to make the necessary adjustments to ensure optimal use of the voice!
Monday 2nd November 2026
5:00 PM - 7:00 PM
Tuesday 3rd November 2026
5:00 PM - 7:00 PM
(London Time)
The Vocal Health Challenges for Actors and Singers!
Leda Scearce
Two part course! Vocal health principles are inextricably and symbiotically linked with singing and acting voice pedagogy: Good vocal health allows the singer and actor to more easily and effectively achieve their technical and artistic goals, and good teaching reinforces vocal technique that diminishes the risk of vocal injury. We now also recognize the necessity for singers and actors to understand how their instruments work, how to take care of their voices, and what to do when something goes wrong. Singing and acting teachers are indeed on the front lines of vocal health!
Friday 6th November 2026
3:00 PM - 5:00 PM
(London Time)
Neurodivergence and Critical Disability Theory
Dr David Cane
Hosted by our very own Dr David Cane, this two-hour session offers a timely and reflective opportunity to explore disability and neurodivergence within the voice teaching studio. Grounded in the field of critical disability studies, it will be of particular interest to voice professionals who wish to foster a more inclusive, reflexive and accessible practice.
Thursday 12th November 2026
5:00 PM - 7:00 PM
(London Time)
Kodaly and Dalcroze - inspired Learning for Choir Leaders!
Amy Bebbington
Enhance your choral leadership by grounding vocal direction in physical, experiential movement. Drawing from the pioneering methodologies of Zoltán Kodály and Émile Jaques-Dalcroze, join Amy Bebbington for this practical and highly engaging session exploring how kinaesthetic gestures can revolutionize the way you lead singing.
Tuesday 17th November 2026
5:00 PM - 7:00 PM
(London Time)
A (Very) Brief Course in Linguistics!
Miranda Guettlein
Join Miranda Guettlin (editor of the Voice and Speech Review) for an empowering introductory course in linguistics designed specifically for voice and speech practitioners. She will break down the six major subfields (phonetics, phonology, morphology, syntax, semantics, and pragmatics) in order to provide voice and speech practitioners in with a more clear understanding of the components of language and usable tools to incorporate into their teaching.
Wednesday 18th November 2026
5:00 PM - 7:00 PM
(London Time)
Expiratory Pressure Regulation for Power, Pitch and Vocal Health
Barbara Tanze
How does the pressure beneath your vocal folds affect your sound? And how can you learn to regulate it efficiently and make sense of what it means to “support your voice”? Join Barbara Tanze for this practical short course exploring the role of expiratory pressure regulation in singing and its relationship to vocal power, pitch control, efficiency and vocal health. Learn how singers can develop a more precise understanding of the interaction between respiratory activity, subglottic pressure and vocal fold function!
Tuesday 24th November 2026
5:00 PM - 7:00 PM
(London Time)
The Lemma Dilemma: Teaching Voice and Speech through a Linguistic Lens!
Ashleigh Reade
For voice and speech teachers, the importance of “the thought” is almost a given. Text comes to life when it is fueled by an external stimulus; we breathe in response to an image, a concept, a need we wish to express, then transmit that to our listener on the voice. In psycholinguistic models of speech processing and production, the lemma is the mental representation of a concept that contains both semantic and syntactic meaning, linking an idea to the sounds needed to express the idea. Join Ashleigh Reade as explores how to bridge the gap between actor and text, examining how psycholinguistics can support our voice and speech teaching.
Thursday 3rd December 2026
5:00 PM - 7:00 PM
(London Time)
Singing and Parkinson’s Disease: Overview of the Evidence to Date
Dr Abigail Webb
Parkinson’s Disease is a progressive neurological disorder affecting around 166,000 people in the UK. It is characterised by a significant reduction in dopamine production that in turn causes impairments across several motor and non-motor functioning. A 2025 review indicated that singing may benefit certain aspects of speech production in those affected, and in the last decade, a collection of research studies has explored the role of singing specifically in symptom management of Parkinson’s. Join Dr Abigail Webb, as she brings together evidence to date of the impact of singing for people living with Parkinson’s.
Tuesday 15th December 2026
5:00 PM - 7:00 PM
(London Time)
Using AI Voice Clones to Assist, Motivate, and Complement the Work of Student Actors
Jason Martin
Join James Martin as he presents his findings from a pedagogical research study which explored how AI voice cloning technology might be used to assist, motivate, and complement the work of student actors. Specifically, the ability of the AI clones to reveal rhetorically dense and/or long text is superior to a majority of his students, based on his assessment of their first efforts at speaking dense text.